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Papers On Art & Architecture
Page 53 of 211

Capoeira
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Capoeira is an ancient martial art which incorporates dance, music and elements of play. It is one of the defining characteristics of a rich Afro-Brazilian Bahia culture. Once stigmatized as a silly activity meant as simple entertainment for the poor black Brazilian descendants of slaves in earlier centuries, Capoeira is now considered a modern metaphor for cultural freedom and defiance. This 23 page paper examines the art form of Capoeira in relation to its positive contributions to cultural and social structural developments. Bibliography lists 10 sources.
Filename: KTcapria.wps

Caravaggio - Bold and Wonderful .
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(5 pp) Few artists in history have exercised as extraordinary an influence as this tempestuous and short-lived painter. Caravaggio was destined to turn a large part ofEuropean art away from the ideal viewpoint of the Renaissance to the concept that simple reality was of primary importance. He was one of the first to paint people asordinary looking, often using models from the street or the brothels. Bibliography lists 5 sources.
Filename: BBcaravg.doc

Caravaggio - Bold and Wonderful .
[ send me this paper ]
(5 pp) Few artists in history have exercised as extraordinary an influence as this tempestuous and short-lived painter. Caravaggio was destined to turn a large part of European art away from the ideal viewpoint of the Renaissance, to the concept that simple reality was of primary importance. He was one of the first to paint people as ordinary looking, often using models from the street or the brothels. Bibliography lists 5 sources.
Filename: BBcarvgR.doc

Caravaggio's Card Sharps'
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A 7 research paper which analyzes this work by the Italian artist Caravaggio. The writer shows how this painting is representative of Caravaggio's work and also the areas in which it is unique. The controversy surrounding Caravaggio's habitual use of young boys as subjects for his paintings is also addressed. Bibliography lists 4 sources-.
Filename: Cardshar.wps

Caravaggio's Conversion Of Saint Paul
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At the beginning of the seventeenth century, the artist, Michelangelo Merisi (called Caravaggio), began to paint in a manner that was at once new and exciting as well as echoing the best of the Renaissance Masters who had come before. This 20 page paper argues that the use of light and shadow, specifically in the painting, The Conversion Of Saint Paul, is both a dramatic iconographic technique and a reflection of the baroque period characteristic that was such an integral component to Caravaggio's personal style. Bibliography lists 13 sources.
Filename: KTconvpl.wps

Caravaggio’s The Seven Acts of Mercy and Rubens’ Head of Medusa
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A 9 page paper which compares and contrasts Caravaggio’s The Seven Acts of Mercy with Peter Paul Rubens’ Head of Medusa. Bibliography lists 9 sources.
Filename: RAcprr.rtf

Caravaggio, Blake, and Goya
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A 4 page comparison and contrast of three artists and one of their works. The artists and works are Michelangelo Merisi da Caravaggio’s David and Goliath (undated), William Blake’s The Great Red Dragon and the Beast from the Sea (1805), and Francisco de Goya’s Blind Guitarist (1778). Bibliography lists 3 sources.
Filename: RAarcvv.rtf

Caravaggio/The Entombment
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A 3 page research paper/essay that discusses Caravaggio “The Entombment” and Bernini’s “Ecstasy of St. Theresa.” Caravaggio’s “The Entombment” (1602-03) is a work that fulfills very well the assignment scenario’s papal criteria of providing a powerful work of art that both glorifies God and inspires faith and commitment from Catholic congregations, who resisted the appeal of Protestantism during the seventeenth century. Bibliography lists 3 sources.
Filename: khcaraen.rtf

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