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Papers On Art & Architecture
Page 116 of 211

Ma Yuan/Artist of the Song Dynasty
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A 5 page research paper/essay that analyzes a work by Ma Yuan of the Chinese Song Dynasty period. The art of Ma Yuan (c. 1155-1225), along with that of Xia Gui, represents the highest level of Chinese painting during the Song dynasty (1127-1279) (Ma Yuan). During the Southern Song period (1127-1279), court painters continued to favor landscapes as subject material, as they had in the past, but they also favored smaller formats and more lyrical treatments (Southern Song). This examination of a work, Walking on a Mountain path in Spring by Ma Yuan, concentrates on describing its lyric elements, that is, the features of the poem that are designed to evoke emotion on the part of the viewer. Also, a comparison is made between Ma Yuan and Xia Gui. Bibliography lists 4 sources.
Filename: khmayuan.rtf

Madonna and Child by Fra Fillipo Lippi
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A 3 page analysis of the painting Madonna and Child by Fra Fillipo Lippi. Bibliography lists 2 sources.
Filename: RAlippi.rtf

Magnificent Church Buildings Are Not About Materialism
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This 7 page paper discusses the premise that modern Christians build large and beautiful churches as a reflection of their own materialism. The writer ultimately argues that such is not the case. Bibliography lists 12 sources.
Filename: Churchb.wps

Male Pseudonyms and Female Artists
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A 5 page research paper on how and why women used pseudonyms in art and literature. The writer focuses on derogatory reviews, access to the market, financial concerns, and the desire to create political discourse, and includes commentary and empirical analysis by Casey, Lutz, Marshall, Ranaweera, Silverman and Tedlock. Bibliography lists 6 sources.
Filename: Cnpseudo.wps

Man Ray -- “The Poet of the Dark Room”
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This 24 page report discusses the photographer Man Ray (1890 - 1976) who Jean Cocteau referred to as the “poet of the darkroom.” He was born Emmanuel Radnitskyi n Philadelphia in 1890. After he became Man Ray, he also became one of the 20th century's most admired and innovative photographers. His work demonstrated the fact that photography truly is an art form and convinced countless critics that it offered a legitimately artistic way to present a unique and personal form of self-expression. He was also a painter and filmmaker and thought of as one of the avant-garde of Paris in the 1920s. However, it is his photography that has remained as the most lasting representation of his view and representation of the world. Bibliography lists 20 sources.
Filename: BWmanray.wps

Manet’s Olympia and Consciousness
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A 3 page paper which discusses Manet’s focus on consciousness in his painting “Olympia.” The painting is compared to Couture`s “Romans of the Decadence” and Courbet’s “Demoiselles des bords de la Seine.” Bibliography lists 4 sources.
Filename: RAmanetO.rtf

Manet, Monet, And Courbet
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A 6 page paper which examines a painting by the artists Manet, Monet, and Courbet. Bibliography lists 5 sources.
Filename: RAartpnt.rtf

Manifesto As Art
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In the art world there have been many movements that have aligned themselves with particular philosophies and, or, methods of interpretation for their art. Among these movements are the futurists, the Dada and the (early) surrealist movements that have distinguished themselves with providing a manifesto of their intentions and beliefs. This 6 page paper argues that manifestoes are, in and of themselves, art objects that transcend the merely didactic and enter into the realm of poetry or visual art, as well as providing arguments for their beliefs. The Dadaist Manifesto by Tristan Tzara, Andre Breton's The Manifesto of Surrealism and F. T. Marinetti's, Foundation and Manifesto of Futurism are used as examples. Bibliography lists 5 sources.
Filename: KTmanfst.wps

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