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Papers On Art & Architecture
Page 139 of 211
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Photography of the Farm Security Administration (FSA)
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A 7 page paper which examines how the photographic work of the FSA addressed the ideas of documentary and art. Bibliography lists 8 sources.
Filename: TGfsa.rtf
Photography: Creative Use of Artistic Elements
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A 5 page discussion of the artistic flexibility of photography. Discusses the use of analogy, metaphor, allusion, authority, alliteration and repetition. Emphasizes that photography can captivate an audience and put them on the edge of their seats with both visual and non-visual stimuli. It does so through the creative combination of a number of artistic elements. Bibliography lists 1 source.
Filename: PPphotAp.wps
Photography: Impact Upon Western Civilization Over The Past Fifty Years
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6 pages in length. Photography provides an eye to the world that many would otherwise never experience. Whether color, black and white, abstract or documentary, photos tell a story without the need for words. Indeed, history has clearly illustrated how photographs are an integral component to translating emotions and circumstances that could otherwise not be expressed merely by literary methods; rather, photography helps the world understand more about itself through images of social conflict, civil rights, war, famine and every other element of human existence in Western civilization over the past fifty years. Bibliography lists 5 sources.
Filename: TLCphoto.wps
Picasso - the legacy lives on.
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(5 pp) If there is any artist who epitomizes the
genius of our century, it is Picasso. Long-lived,
endlessly inventive, prolific in his production,
wanton in his sexual appetites as well as his
artistic creation, an alchemist who could
transmute the handlebars of a bicycle into the
horns of a bull with a single gesture - there seems
to have been no limit to his talents.
4 specific works are discussed. Bibliography lists
5 sources.
Filename: BBpiclega.doc
Picasso and Balthus
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This 5 page paper reltes the belief that art historians could argue that the greatest connection that exists between Modernist Pablo Picasso and Balthasar Klossowski, better known as Balthus, was that Picasso purchased one of Balthus’ paintings, entitled Les Enfants Blanchard in 1941. This paper, though, attempts to demonstrate some other connections between these two artists. Bibliography lists 2 sources.
Filename: MHBalthu.rtf
Picasso and Rubens
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An 8 page paper which compares and contrasts the lives of the artists Picasso and Rubens. Bibliography lists 5 sources.
Filename: RApicrub.rtf
Picasso's "Mademoiselles d'Avignon"
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5 pages in length. Interpretation is limited only as far as one's imagination. After all, what we like and do not like is all a matter of personal taste. Such is the same for Pablo Picasso's "Mademoiselles d'Avignon," inasmuch as the
artist harbored a much talked about abstract style. Some revered this appearance, others were wildly disapproving of it. But one must ask what is beauty in art? Is that distinction not absolutely interpretive, as well? Truly, it is quite difficult to define what is beautiful when the very essence is as individual as the fragrance of a flower. Picasso's "Mademoiselles d'Avignon" holds an inordinate degree of inherent magnificence, which is its primary point of interest. Bibliography lists 1 source.
Filename: TLCpablo.doc
Picasso’s “Guernica”
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A 6 page paper which examines Picasso’s painting “Guernica”
and discusses the subject matter, the meaning which is created by form and matter, and
the human values represented in the painting. Bibliography lists 2 sources.
Filename: RApicsso.rtf
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