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Papers On Art & Architecture
Page 154 of 211

Saint-Sernin and Chartres Cathedral
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A 4 page paper which compares artistic and architectural aspects of Saint-Sernin in Toulouse and Chartres Cathedral. Bibliography ists 5 sources.
Filename: RAsernin.rtf

Salvador Dali: Christian Themes.
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( 10 pp) in 1941, Dalí moved beyond his esoteric, surrealist style in order to make a more universal artistic statement. His interest shifted from personal obsessions to universal themes, and he became fascinated by religion and modern science . Dalí summarized this shift by saying that he intended "to become classic," for, "to be a Surealist forever is like spending your life painting nothing but eyes and noses." Dalí looked back to Classical and Renaissance art for inspiration, while looking forward to the scientific discoveries emerging around him in the 1950s. He desired to be the spokesman for the atomic age, to unite the discoveries of modern science with religion and mysticism. Bibliography lists 7 sources. Bibliography lists 7 sources.
Filename: BBdaliC.doc

Salvador Dali: The Struggle Between Religion and Science
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A 5 page discussion of the influence of God and religion on the surrealistic art of Salvador Dali. Contends that Dali struggled to integrate his spiritual beliefs with his ever-growing interests in sciences. Contrasts his efforts with those of Sigmund Freud and artist like Fyodor Dostoevsky who seemed intent of proving that God did not exist. Bibliography lists 3 sources.
Filename: PPdali.wps

Samuel Maclure: Bungalow Design
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A 3 page paper which examines the bungalow design of architect Samuel Maclure. Bibliography lists 3 sources.
Filename: RAbunsam.rtf

SAN FRANCISCO AND OVERVIEW
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This 6-page paper provides a general overview of San Francisco and the surrounding areas, covering topics including character, urban layout and site attraction. Bibliography lists 3 sources.
Filename: MTsanfra.rtf

Sandburg's Imagism and Braque's Cubism as the Energy of A New Day:
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A five page paper comparing Carl Sandburg's poem "Chicago" with Georges Braque's painting "Houses at L'Estaque." The paper concludes that both works, in addition to exemplifying the artistic school of Cubism and the literary movement of Imagism, exude the chaotic and noisy energy of the twentieth century. Bibliography lists five sources.
Filename: KBsandbg.wps

Sandro Botticelli
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(5 pp) The most humanistic of the Renaissance painters, Botticelli was at first apprenticed to a goldsmith; whether working in this sensuous metal influenced him we can not be sure, but we can easily say that Botticelli was one of the greatest artists of the Quatrocentro. The new secular spirit of the time affirmed individual value in numerous ways - portraiture came forward after centuries of neglect. Donors stepped forward confidently and aggressively as patrons of the arts, artist sponsors, and subjects. Secondly, privately commissioned works were made for aesthetic as well a religious purposes, and expressed the mythological subjects favored by the humanists, who enjoyed their history as well as their nudity and mild eroticism. Bibliography lists 6 sources.
Filename: BBbottic.doc

Santa Maria Maggiore Mosaics
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This 5 page report discusses the mosaics of Santa Maria Maggiore in Rome, 432-440 AD, that represent the oldest surviving example of mosaic ornamentation in a Christian church. The mosaics were primarily designed to serve as a chronicle of the events that led to the belief system of Christians and begin with the story of Abraham. Bibliography lists 3 sources.
Filename: BWsmmosa.wps

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