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Papers On Art & Architecture
Page 165 of 211
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The Architecture Of The Modern Movement Was Built Upon Nineteenth Century Theoretical And Technological Foundations
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10 pages in length. The extent to which architecture of the modern movement was built upon nineteenth century theoretical and technological foundations is both grand and far-reaching. Changing at warp speed pace, the world was embarking upon an entirely new and different approach to everything social, political and technological; in order to keep up with these monumental metamorphoses, the very nature of architecture – its textures, tools and overall impression – was also significantly modified. This move into modernity was responsible for an entirely novel approach to what had come to be very predictable architectural design; not only had there come a need for such structures as high-rise buildings, but architects were dealing with other issues not heretofore considered in relation to theoretical and technological foundations. Bibliography lists 14 sources.
Filename: TLCModArc.rtf
The Architecture of Venturi and le Corbusier
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A 5 page paper discussing the
work and philosophies of these two diverse architects, specifically with one work of each:
Venturi's Sainsbury Wing of London's National Gallery and le Corbusier's Carpenter Center for
the Visual Arts at Harvard University. The two have very different styles of course, but
Venturi is seen as the more creative and versatile in that le Corbusier's Carpenter Center is a
"cut and paste" amalgam of elements previously used in other designs in far different climates.
These elements - a long ramp, diagonally oriented windows - are most useful for collecting
unwelcome snow loads in Massachusetts' cold winters. Bibliography lists 7 sources.
Filename: KSarchVentLeC.wps
The Art of Adolf Loos and the Modern Philosophy of Austerism
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A 7 page paper that analyzes four Adolf Loos cites compared to the Modern philosophy of austerism. Loos used contradictory styles, although he said ornamentation is a crime. Some of his work was ornate by today's terminology as he worked in marble and brass and glass, rather than iron and glass---his competitors judgment of what properly reflected the times. Loos chose to reflect more than just metropolitan ideas and applied those ideas to the Khuner Country home. He even made an artistic attempt in his submission for the Chicago Tribune Building. Bibliography lists 5 sources.
Filename: Adfloos.wps
The Art of Christian Boltanski
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A 9 page research paper that examines the work of contemporary artist Christian Boltanski. The writer argues that Boltanski's work encompasses the existential conundrums that characterize life in the postmodern world. Bibliography lists 3 sources.
Filename: 00boltan.rtf
The Art of Henri Matisse
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A 3 page paper which examines several works by the French artist (1869-1954), who was one of the founders of the Fauvism Expressionist movement of the early twentieth century. Bibliography lists 3 sources.
Filename: TGmatisse.rtf
The Art of Rene Magritte and Roy Lichtenstein
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A 5 page paper which discusses
“Brushstroke” by Roy Lichtenstein and “Ceci n'est pas une pipe” by Rene Magritte.
Bibliography lists 6 sources.
Filename: RAmgrtt.rtf
The Art of the Mogao Caves
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This 3 page report discusses the Buddhist paintings in the
Mogao caves of the Dunhuang region of China. The fact that the caves were "founded"
where they were was directly related to the existence of what has come to be known as
the fabled "Silk Road." Bibliography lists 2 sources.
Filename: BWmogao.rtf
The Art Process of Jackson Pollock
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In the past when one has discussed the making of art, there have been two schools of thought: one with the emphasis on the end result or the "product," the other on how one goes about making or "responding to the work as it is being made," which is the "process." It is this last definition that will form the core of our 5 page discussion concerning American Abstract Expressionist painter, Jackson Pollock (1912-56). Bibliography lists 5 sources.
Filename: Bbpllock.doc
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