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Papers On Artists, Art Genre, & Famous Works Of Art
Page 29 of 106
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Caravaggio's Card Sharps'
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A 7 research paper which analyzes this work by the Italian artist Caravaggio. The writer shows how this painting is representative of Caravaggio's work and also the areas in which it is unique. The controversy surrounding Caravaggio's habitual use of young boys as subjects for his paintings is also addressed. Bibliography lists 4 sources-.
Filename: Cardshar.wps
Caravaggio's Conversion Of Saint Paul
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At the beginning of the
seventeenth century, the artist, Michelangelo Merisi (called
Caravaggio), began to paint in a manner that was at once new and
exciting as well as echoing the best of the Renaissance Masters who had
come before. This 20 page paper argues that the use of light and
shadow, specifically in the painting, The Conversion Of Saint Paul, is
both a dramatic iconographic technique and a reflection of the baroque
period characteristic that was such an integral component to
Caravaggio's personal style. Bibliography lists 13 sources.
Filename: KTconvpl.wps
Caravaggio’s The Seven Acts of Mercy and Rubens’ Head of Medusa
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A 9 page paper which compares and contrasts Caravaggio’s The Seven Acts of Mercy with Peter Paul Rubens’ Head of Medusa. Bibliography lists 9 sources.
Filename: RAcprr.rtf
Caravaggio, Blake, and Goya
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A 4 page comparison and contrast of three artists and one of their works. The artists and works are Michelangelo Merisi da Caravaggio’s David and Goliath (undated), William Blake’s The Great Red Dragon and the Beast from the Sea (1805), and Francisco de Goya’s Blind Guitarist (1778). Bibliography lists 3 sources.
Filename: RAarcvv.rtf
Caravaggio/The Entombment
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A 3 page research paper/essay that discusses Caravaggio “The Entombment” and Bernini’s “Ecstasy of St. Theresa.” Caravaggio’s “The Entombment” (1602-03) is a work that fulfills very well the assignment scenario’s papal criteria of providing a powerful work of art that both glorifies God and inspires faith and commitment from Catholic congregations, who resisted the appeal of Protestantism during the seventeenth century. Bibliography lists 3 sources.
Filename: khcaraen.rtf
Caribbean Art: WWI to WWII
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A 6 page paper which examines Caribbean art
between the two world wars. Bibliography lists 2 sources.
Filename: RAcarbar.rtf
Carol Maratta and Jael Slaying Sisera;
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This 5 page paper considers this singular work of this baroque Italian painter and look to identify the different influxes on style and structure by comparisons with previous artists. The bibliography cites 4 sources.
Filename: TEmaratt.wps
Carsten Holler’s Artistic Production in Relation to Nicolas Bourriaud’s Relational Aesthetics
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This is a 5 page paper discussing relational aesthetics in the works of Carsten Holler. Nicolas Bourriaud in 1997 developed a theory in regards to art called “relational aesthetics”. Essentially, he described relational aesthetics as the coexistence between an artist, the piece and the viewer of the art. Artists who use the ideas of relational aesthetics in their works allow not only the viewers to participate in the understanding of the production but also make them question the “use” rather than the meaning. Carsten Holler is an artist who very much uses the open interaction of relational aesthetics in his pieces. His works involve much of his understanding of behaviorism and utilitarianism. Many of his pieces includes elements of humans in motion and in love which questions the motives of these actions. In addition to providing viewers with a relational context and utility, Holler also uses a great deal of humor and irony in his work which allows the viewer to participate in his idea to provide the viewer with “a degree of freedom and relief, however momentary it may be”.
Bibliography lists 4 sources.
Filename: TJCHoll1.rtf
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