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Papers On Artists, Art Genre, & Famous Works Of Art
Page 46 of 106

Ghosh's In an Antique Land and Small's Voyages - Two Ethnographic Perspectives
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This 7 page paper provides a comparative view of two ethnographies: Amitav Ghosh's In an Antique Land and Cathy Small's Voyages. This paper compares Ghosh's view of the Egyptian villagers and Small's perspectives on the Tongan culture as they relate issues like cultural hybridity, globlization, travel, oceanic spaces, and history. No additional sources cited.
Filename: MHghosh.wps

Giacometti and Kandinsky
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This 3 page paper compares and contrasts the work of the 20th century artists Alberto Giacometti and Wassily Kandinsky. Bibliography lists 4 sources.
Filename: HVgiakan.rtf

Gilbert Stuart's Ann Penn Allen & Annibale Carracci's Bean Eater
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This 5 page paper contrasts and compares the work of Gilbert Stuart and Annibale Carracci. Stuart uses a contrived setting in order to place the emphasis on the subject while Carracci utilizes a natural setting in order to place the emphasis on the subject matter. Bibliography lists 5 sources.
Filename: KTportrt.wps

Giotto/Life of Christ in the Arena Chapel
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An 8 page research paper. Giotto's fresco cycle in the Arena Chapel at Padua was commissioned by Enrico Scrovegni early in the fourteenth century. The building was meant to be a small private chapel for use of the Scrovegni family, according to an early document (Stubblebine 107). The meaning of the chapel's frescoes have long generated considerable scholarly debate. The frescoes are exquisitely beautiful, but the contemporary viewer is compelled to wonder what they mean and, in particular, to ask what did they mean to the medieval audience for whom they were painted? In answering this question, this discussion of Giotto's frescoes in the Arena Chapel focuses not only on describing this work of art, but also it relates the meaning of the scenes depicted to the medieval culture to which they refer. Bibliography lists 15 sources.
Filename: khgiotto.rtf

Giulio Romano
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20 pages in length. Giulio Romano, also known as Giulio di Pietro de'Gianuzzi Giulio Pippi, was one of Italy's most prominent mannerist painters. His instrumental existence within the world of art stands out with his presence during the Mannerism Period, a time in Italy that existed between the Renaissance and Baroque periods, heavily assuming an emotional and stylized imagery primarily directed toward the human figure. Particularly characteristic of the Mannerism Period is that of distorted, exaggerated interpretation coupled with intense color application. Bibliography lists 6 sources.
Filename: TLCguili.doc

Goya And Ingres, A Comparison
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This 5 page paper provides a comparison of the portraits of Don Pedro, Duque De Osuna by Franscisco De Goya Y Lucientes (Goya) and the Comtesse DHaussonville by Jean-Auguste-Dominique Ingres. Bibliography lists 5 sources.
Filename: KTgoying.wps

Goya and Picasso
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A 4 page paper which examines Francisco Goya’s “The 3rd of May” and Pablo Picasso’s “Guernica.” The paintings are analyzed and then compared. Bibliography lists 3 sources.
Filename: RAgoya1.rtf

Goya's "The Shootings Of May 3, 1808," Picassos's "Guernica" And "Massacre In Korea" -- Comparative Study
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15 pages in length. The rebellious nature of art affords a certain amount of artistic license with regard to issues of social and political nature. That art is the extension of the artist's personal beliefs and perspectives speaks to the sometimes-harrowing yet always passionate portrayals depicted in many of history's most powerful creations. Three examples of artists taking a personal stand on what they see in the world around them include Goya's The Shootings of May 3, 1808, Picasso's Guernica and Massacre in Korea. Bibliography lists 8 sources.
Filename: TLCGoyaMay3.rtf

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