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Papers On Artists, Art Genre, & Famous Works Of Art
Page 51 of 106

Illusionistic Ceiling Paintings and the Artists of the Baroque:
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This 7 page report discusses the illusionist ceiling paintings of the Baroque period with particular attention to the work of Carracci, Pozzo, and others noted for their contribution to the overall framework of that is which referred to as the “Baroque.” The artists of the Baroque represented an understanding and awareness that the illusions created by human beings are no less real than the physical dimensions imposed by time and space. Bibliography lists 8 sources.
Filename: BWbaroqu.doc

Important Paintings in Western Art
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(5 pages) Visual art has expressed the ideas and attitudes of Man for centuries, but it is the period of the Renaissance, which often most stands out in our mind for the unique individualistic vision of its painters. This was a time of the "rebirth" of the individual in thought and life style, this unique need to express the individual can also be seen in the work of Camille Corot. Bibliogoraphy lists 5 sources.
Filename: BBwstart.doc

Impressing the Impressionists - Japonisme & French Art in the Nineteenth Century
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An 8-page paper that examines the influence of Japonisme, a trend stemming from the work of Japanese ukiyo-e artists, on the works of French artists during the latter half of the nineteenth century. Discussed are Japanese master painters Hokusai Katsushika and Hiroshige Ando and the manner in which they influenced the works of French Impressionist artists Edgar Degas and Claude Monet. Bibliography lists 5 sources.
Filename: LCImpres.doc

Impressionism
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A 7 page paper which examines and discusses three paintings from Impressionism. The works examined are Edgar Degas’ “L’Absinthe,” Pierre-Auguste Renoir’s “Seated Bather” and Mary Cassatt’s “At the Opera.” Bibliography lists 7 sources.
Filename: RAim3.rtf

Impressionism/Birth of Modern Art
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A 3 page research paper that argues that impressionism was crucial to the development of modern art. The writer argues that impressionism necessarily resulted in a certain amount of abstraction and also promoted the idea that an artist should interpret reality through art, rather than simply record it. An examination of impressionism, specifically works by Claude Monet (1840-1926) and Auguste Renoir (1841-1919), demonstrate how this movement in art was the necessary forerunner of modern art in the twentieth century. Bibliography lists 2 sources.
Filename: khimart.rtf

Impressionism/Music & Art
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A 5 page research paper that discusses the relationship between impressionist music and painting. Art and music have always developed in parallel with one another throughout the course of history (Impressionism). The impressionism of the late nineteenth century, which originated in France, exemplifies this principle as impressionist music and art are closely related. This examination of impressionism in music demonstrates the close relationship that the development of this genre of music history had with painting of the same era. Bibliography lists 12 sources.
Filename: khimmuar.rtf

Impressionism/Music & Art
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An 11 page research paper that is an expansion on a previous essay khimmuar.rtf. This essay discusses how impressionist painting is related to impressionist music in more detail and draws more heavily on the sources cited in the previous paper. Bibliography lists 12 sources.
Filename: khimmua2.rtf

Influences and Style of Ludwig Meis van der Rohe
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Meis van der Rohe’s unique minimalist style was influenced by his times and by his German mentors of The Bauhaus movement which focuses on the personal history of Meis within the frame of the weimer Republic and his association with it, the Bauhaus movement and particular elements of his furniture design including metal, chrome, leather, tufting, open frame, and other materials. jvVdrRoh.rtf
Filename: jvVdrRoh.rtf

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