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Papers On Artists, Art Genre, & Famous Works Of Art
Page 59 of 106
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Louise Nevelson: Life and Works
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A 5 page paper which examines the life and work of the artist Louise Nevelson. Bibliography lists 3 sources.
Filename: RAnevel.rtf
Madonna and Child by Fra Fillipo Lippi
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A 3 page analysis of the painting Madonna and Child by Fra Fillipo Lippi. Bibliography lists 2 sources.
Filename: RAlippi.rtf
Male Pseudonyms and Female Artists
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A 5 page research paper on how and why women used pseudonyms in art and literature. The writer focuses on derogatory reviews, access to the market, financial concerns, and the desire to create political discourse, and includes commentary and empirical analysis by Casey, Lutz, Marshall, Ranaweera, Silverman and Tedlock. Bibliography lists 6 sources.
Filename: Cnpseudo.wps
Manet’s Olympia and Consciousness
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A 3 page paper which discusses Manet’s focus
on consciousness in his painting “Olympia.” The painting is compared to Couture`s
“Romans of the Decadence” and Courbet’s “Demoiselles des bords de la Seine.”
Bibliography lists 4 sources.
Filename: RAmanetO.rtf
Manet, Monet, And Courbet
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A 6 page paper which examines a painting by the artists
Manet, Monet, and Courbet. Bibliography lists 5 sources.
Filename: RAartpnt.rtf
Marcel Duchamp: Fountain
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(7 pp) One of the most outrageous artworks of the
20th century was Marcel Duchamp 's Fountain of
1917, a time-bomb waiting to blow the art world to
smithereens. The concept of art, and the course of
art history, was irreversibly changed as a
consequence Bibliography lists 8 sources.
Filename: BBduchmp.doc
Marcel Duchamp: Readymades
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An 8 page paper which examines and analyzes the readymade art of Marcel Duchamp. Bibliography lists 8 sources.
Filename: RAmduch.rtf
Margaret Bourke-White (1904-1971): An Overview
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This is a 12 page paper discussing the life and professional career of Margaret Bourke-White. Margaret Bourke-White (1904-1971) was considered by some to be the most famous photojournalist of her time. Born to open-minded and progressive parents, Bourke-White learned at an early age to be independent with an assertive motto of “you can”. Although she graduated with a degree in the sciences, Bourke-White soon gained a reputation as a competent industrial photographer which attracted the attention of Henry Luce the editor and publisher of Fortune and later Life magazine who hired her as the first female photojournalist. Bourke-White was the war correspondent for Life magazine and the U.S. Air Force and was also the first female journalist allowed in combat. During her war years, she was the first correspondent in the Soviet Union and captured the bombing of the Kremlin by the Nazis on film, was torpedoed in the ship which was taking her to Northern Africa and accompanied Patton and the United States troops on their tour of the concentration camps in Germany. Back home in the United States, in collaboration with her second husband, novelist Erskine Caldwell, on several photo texts on the inequalities of the American social and class system. Bourke-White continued to be an inspiration to feminists and photojournalists during her entire career and in the mid 1950s when she discovered she had Parkinson’s Disease and could no longer take photographs, she wrote her autobiography during over eight years. Margaret Bourke-White died in Connecticut in 1971.
Bibliography lists 6 sources.
Filename: TJBourk1.rtf
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