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Papers On Artists, Art Genre, & Famous Works Of Art
Page 83 of 106

Sculpture: Created By Personal, Social, Religious And Political Motivation
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8 pages in length. Historically, sculpture was not always created for personal expression; religious, political and other motivations played a large role in this particular artistic endeavor. Frustration, elation, infatuation, anger and specific agenda, in addition to a whole host of other motivational factors, have long played a role how and why sculpture is created, with myriad pieces having been formed out of such emotions based upon religious, political, social and personal inspiration. Looking at Donatello's David, Rodin's Age of Brass and Michelangelo's David, one gains a significantly better perspective of these qualifying elements. Bibliography lists 4 sources.
Filename: TLCSculpt.rtf

Sculptures of David
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A 3 page analysis regarding different sculptures of David. The paper examines Bernini’s, Donatello’s, and Michelangelo’s sculptures of David. Bibliography lists 3 sources.
Filename: RAdavids.rtf

Sean Scully/Wall of Light
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A 4 page research paper/essay that discusses and analyzes the work of Sean Scully. Roughly twenty years ago, abstract artist Sean Scully was inspired by the interplay of light and shadow that he observed while visiting Mayan ruins (Wall of Light). This inspired a long series of paintings over the next two decades entitled "Wall of Light." This examination of Scully's work looks specifically at three of these paintings, focusing specifically on their form, content and meaning. Bibliography lists 3 sources.
Filename: khscully.rtf

Seeking Meaning In Baroque
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This 8 page paper argues that Rest on the Flight into Egypt by Orazio Gentileschi, The Four Evangelists by Jacob Jordaens and the Crucifixion Of St. Peter by Luca Giordano are done in the naturalist style of the baroque period and share the theme of religious representation. The artists have their own personal styles, however, each has conformed to the baroque style in their use of space, time and, especially, the use of light and dark for dramatic effect. Bibliography lists 3 sources.
Filename: KTbarart.rtf

Selene and Endymion by Nicolas Poussin
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A 4 page analysis of the painting “Selene and Endymion” by Nicolas Poussin. Bibliography lists 5 sources.
Filename: RApoussn.rtf

Sesostris III
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A paper which looks at the British Museum statue of Sesostris III, in the context of ancient Egyptian social culture in general and Sesostris' reign in particular. The focus of the paper is on the development of art in ancient Egypt, the relationship between identity and representation, and the ways in which the statue can be interpreted in view of these cultural factors. Bibliography lists 35 sources.
Filename: JLsesostris.rtf

Seventeenth-Century Dutch and Flemish Portraiture
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A 5 page page research paper that examine the functions of portraiture in 17th century Dutch life. In discussing how artists accomplished these functions, the writer profiles paintings by Rembrandt and de Hooch. Bibliography lists 3 sources.
Filename: kh17dut.wps

Sexuality/Munch and Schiele
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An 8 page research paper that contrasts and compares the work of expressionist artists Edvard Munch (1863-1944) and Egon Schiele (1890-1918). The writer argues that they exhibit very different styles, technique and imagery, yet also that these two artists are similar in that they were both psychologically extremely insecure men, who were fascinated by sexuality, yet also fearful of it. Also, examination of their work shows that both artists explored the psyche and sexuality through their art in ways that had previously never been expressed. Bibliography lists 7 sources.
Filename: khmunsch.rtf

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