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Papers On Artists, Art Genre, & Famous Works Of Art
Page 98 of 106

Thomas Gainsborough
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10 pages in length. Thomas Gainsborough, one of the most revered and respected English painters whose works include Charles Crokatt, William Keeble and Peter Darnal Muilman in a landscape; Portrait of Abel Moysey M.P.; Wooded Landscape with Cattle by a Pool; Landscape with a Farm; Peasants going to Market; A Study for Diana and Acteon; Study of a Rustic; 'The Suffolk Plough'; The Blue Boy; and Peasant reading a Tombstone, was considered "one of the most individual geniuses in British art" (Gainsborough, Thomas). The artist's entire collection numbers more than seven hundred pieces, with portraitures representing more than two hundred of them. The writer discusses the artist's life, works and influences. Bibliography lists 6 sources.
Filename: TLCGains.rtf

Thutmose’s Bust Of Queen Nefertiti
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5 pages in length. The lifelike bust that Thutmose sculpted of Queen Nefertiti marked a time in Egyptian art history when the human form took on a true appeal. Subsequent to this significant transitional period, physical features were less than flattering, with necks typically over exaggerated and other characteristics working to draw away from the human form rather than towards it. Housed in the Ägyptisches Museum und Papyrussammlung in Berlin, the sculptor of Nefertiti’s beautiful bust is said to have set a precedent that continued to progress throughout the artistic world. Bibliography lists 2 sources.
Filename: TLCNefrt.rtf

Tintoretto's Last Supper
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A 12 page paper that discusses Tintoretto's painting of the Last Supper. The writer provides a short background of the artist, discusses his work with an emphasis on the Last Supper painted for the San Giorgio Maggiore parish in Venice. A brief comparisons is made between Leonardo's treatment of the subject and Tintoretto's treatment. Bibliography lists 7 sources.
Filename: PGtintor.wps

Tintoretto’s “The Miracle of the Loaves and Fishes”
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A seven page paper analyzing this sixteenth-century painting in the context of Renaissance art. The paper concludes that Tintoretto used Mannerist techniques as an attempt to render spirituality not grounded in human realities. Bibliography lists five sources.
Filename: KBtinto.wps

Titian & Michelangelo/Their Pietas
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A 3 page research paper/essay that contrasts and compares 2 art works. The word “pieta” is Italian for “pity” and this word has often been applied to Christian art that portrays the Virgin Mary holding the slain body of Christ in her arms. The most famous “Pieta” is the sculpture by Michelangelo; however, roughly 75 years later, the Titian painted his “Pieta,” and it is vastly different from the previous work. This comparison demonstrates that it is not only a difference in mediums and artistic style that makes these two arts works different, but also the vastly different interpretations of the artists. Bibliography lists 2 sources.
Filename: khpieta.rtf

Titian, Portrait of a Man in a Red Cap
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A 4 page paper which analyzes “Portrait of a Man in a Red Cap” by Titian. No bibliography.
Filename: RAtitred.rtf

Toulouse-Lautrec
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A fifteen page paper which looks at the life and works of Toulouse-Lautrec, describing his involvement with the fin-de-siecle society of Montmartre in Paris, the innovatory style and technique of his impressionism and his poster art, and the way in which he influenced twentieth-century art movements. Bibliography lists 3 sources.
Filename: JLtlautrec.wps

Trip / Met Museum of Art # 4 / P. Cot's "The Storm"
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A short, yet detailed 3 page critique of Pierre-Auguste Cot's "The Storm" (painting) -- as viewed by the writer while on a trip to N.Y. City's Metropolitan Museum of Art. Examined are the artist's use of background/foreground, Cot's meaning, purpose, attention to detail, etc; No Bibliography.
Filename: Metmuse4.wps

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