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Papers On Social & Political Issues In Art
Page 20 of 34

Manifesto As Art
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In the art world there have been many movements that have aligned themselves with particular philosophies and, or, methods of interpretation for their art. Among these movements are the futurists, the Dada and the (early) surrealist movements that have distinguished themselves with providing a manifesto of their intentions and beliefs. This 6 page paper argues that manifestoes are, in and of themselves, art objects that transcend the merely didactic and enter into the realm of poetry or visual art, as well as providing arguments for their beliefs. The Dadaist Manifesto by Tristan Tzara, Andre Breton's The Manifesto of Surrealism and F. T. Marinetti's, Foundation and Manifesto of Futurism are used as examples. Bibliography lists 5 sources.
Filename: KTmanfst.wps

Marketing Art/16th Century
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A 5 page research paper that focuses on how art was sold in the sixteenth century, that is, the system of apprenticeship and patronage that was in place during this period. Bibliography lists 6 sources.
Filename: khpatron.rtf

McCollum: chain of negligence and liability
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A paper which considers the McCollum case, in which it was asserted that a record company should be held liable for the suicide of a mentally disturbed listener who was influenced by Ozzy Osbourne's music. The paper compares this case to the judgment in Weirum, and looks at aspects of liability and the chain of negligence. Bibliography lists 4 sources.
Filename: JLozzy.rtf

Medieval Christianity and the Arch Angel Michael Diptych
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A 7 page discussion of how Christian philosophy shaped art during this time period. This specific piece of sculpture is discussed in detail. Bibliography lists 5 sources.
Filename: PPartMedvlChrst.rtf

Medieval Christianity: Music and Sculptures
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A 6 page paper which examines how the Medieval philosophy of Christianity influenced music and sculpture of the time period. Bibliography lists 7 sources.
Filename: RAmemus.rtf

Medieval Sculpture
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A 5 page review of medieval sculpture. Using the sculptures the Archangel Michael, Lions and the Prophet, and Ekkehard and Uta, this paper traces the influence of the Church on sculpture during the early Christian, Romanesque, and Gothic Periods. Bibliography lists 3 sources.
Filename: PPartChrSclpt.rtf

Miniature Painting in Pakistan: History, Influences and Future
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This is an 8 page paper discussing the history, influences and contemporary issues in miniature painting in Pakistan and India. The art of miniature painting was first known to exist in Persia where it was imported from into India during the 1500s at the beginning of the Mughal dynasties. In the Mughal schools of artistry, the art of miniature painting was given a more intense and dynamic feel which differentiated it from the formal structures used by the Persians. The technique is very specific in its use of wasli paper, squirrel hair brushes and vivid water based paint applied in multiple layers to earn it a silky finish. When the Mughal dynasty was displaced, so too were many of the artists who then had to earn livings applying their craft to other objects such as walls and furniture. During the late 1800s, when Indian nationalism began to take place, a revival of the traditional arts led to the re-introduction of miniature painting into the educational system where artists could earn specialties in it. Today, the art of miniature painting is one of the more popular and traditional methods of art especially found in the graduates of the National College of Arts in Lahore, Pakistan, the only school in the world offering a specialty in miniature painting. Modern miniature artists apply traditional Mughal methods in their depictions of the contemporary world and the political and lifestyle issues in Pakistan. Bibliography lists 6 sources.
Filename: TJminip1.rtf

Multicultural Approach to Art Practice
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A 5 page paper discussing how and whether multiculturalism needs to be considered in pursuing the study of art. The purpose of the paper is to examine how other artists have handled the multicultural aspect either of their own heritage or their work. The bottom line is that the artist needs to define her own reasons for pursuing art with any cultural meaning at all. Then the research undertaken to help define the directions and the subjects that the art will encompass will come to be better clarified. Bibliography lists 13 sources.
Filename: KSartMulticult.rtf

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