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Papers On Asian Studies
Page 106 of 167
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Museum of Fine Arts, Boston: Silk Roads
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A 4 page paper which examines items from the Museum of Fine Arts, Boston exhibit Silk Roads: Musical Instruments of Asia. No sources cited.
Filename: RAbstar.rtf
Music/Peony Pavilion
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A 2 page essay that analyzes, very briefly, the music and the use of music in the 400 year old Chinese opera The Peony Pavilion. No bibliography is provided.
Filename: khmpp.rtf
Muslim Faith In America
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15 pages in length. The writer discusses Muslim faith and practice, Muslims in America, Muslim fundamentalism in America, Muslim education and Muslims view on American education. Bibliography lists 10 sources.
Filename: TLCMusAm.doc
Mustafa Kemal (Ataturk), Kemalism, and Modern Turkey
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A 25 page paper describing Mustafa Kemal's (later named 'Ataturk') principles of Kemalism and the political reshaping of the Turkish Republic under his rule. This paper provides an overview of each of the principles of Kemalism: republicanism, nationalism, populism, etatism, secularism and reformism, and demonstrates the way in which Kemal promoted these in the development of the Turkish Republic. Bibliography lists 13 sources.
Filename: Ataturk.wps
Myanmar; the Political Situation and International Relations
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This 12 page paper explores the political situation in Myanmar, also known as Burma, looking at its’ history, the military junta regime, and the general circumstances which have led to the current position internally and the development of its current international relationships. The paper analyses this at different levels and uses be realistic, idealist and constructivist approaches to explain the situation. The bibliography cites 5 sources.
Filename: TEmyanmarIR.rtf
Myth, Symbol & Ritual/Shintoism
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An 8 page research paper that discusses the nature of myth and symbol in Shinto ritual. Japanese mythology, which plays a major role in Shinto beliefs, encompasses an intricate and complex system of beliefs. The Shinto pantheon consists of 8000 kami (Japanese for "gods" or "spirits") (Japanese mythology). The Kojiki ("Record of Ancient Things") is the oldest recognized book of Japanese myths, legends and history (Japanese mythology). One notable feature of Japanese mythology is that it explains the origin of the Imperial family, while also assigning them godhood (Japanese mythology). Unlike other national mythologies, in which there is a clear line that divides myth from everyday life, Shinto beliefs and ways of thinking are deeply intertwined with the subconscious social fabric of modern Japanese society (Shinto). Examination of Japanese myths, symbols and rituals illustrates this fact and how Shintoism continues to influence modern Japanese life. Bibliography lists 5 sources.
Filename: khshinmy.rtf
Nagarjuna: An Argument Against the Static Absolutism of Reality
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A 6 page overview of the arguments of the Indian philosopher Nagarjuna who lived between the first and second century CE, some five hundred years after the death of Buddha. This was a time of dramatic debates regarding Buddhist doctrine and practice and Nagarjuna philosophy would come to be accepted by a major component of Buddhist followers. Bibliography lists 3 sources.
Filename: PPindNrj.rtf
National Identity in 2 Chinese Films
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A 7 page research paper/essay that discusses 2 films in reference to Chinese national identity. Cinema has become one of the main means of societal discourse that expresses how people perceive and define themselves and their society. In other words, national cinemas contribute to the conceptualization of national identity and influence the way in which people perceive their place in the contemporary world, as well as their past. The following examination of this sociological phenomenon focuses on two Chinese films: “The Killer” (1989) directed by John Woo and “The Blue Kite” (1993) directed by Tian Zhangzhuang. The writer also discusses what critics say about the ways in which national cinemas are defined and perceived. Bibliography is incomplete and lists 7 sources.
Filename: kh2chmov.rtf
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