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She's Come Undone
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This 5 page paper examines the book and the water imagery found in it. Bibliography lists 6 sources.
Filename: HVUndone.rtf

Shelby, St. Clare, and Legree in “Uncle Tom’s Cabin”
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A 4 page paper which examines why Harriet Beecher Stowe developed the three slave owning characters of Shelby, St. Clare, and Legree (in “Uncle Tom’s Cabin), and how they work to offer a critique of slavery. Bibliography lists 3 sources.
Filename: RAstwch.rtf

Shelley Nixon's "From Where I Sit: Making My Way With Cerebral Palsy" - Brief Summary
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5 pages in length. Inspirational, forthright and positive are three of myriad adjectives one might apply to Shelley Nixon's From Where I Sit: Making My Way with Cerebral Palsy, a touching yet straightforward account of Nixon's life as it has been conceived by way of cerebral palsy, but wholly lacking the requisite pitiful overtones often found in a book of this nature. Bibliography lists 4 sources.
Filename: TLCPalsyNix.rtf

Shelley's "Frankenstein"
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A five page paper looking at Mary Shelley's novel in terms of its larger social significance. The paper concludes that Shelley hints at topics as far-ranging as the ethics of men playing God, to the importance of a father's role in the rearing of children, to the tragedy of imperialism -- all within the relatively simple story of a scientist who wished to replicate human life. Bibliography lists three sources.
Filename: KBfrank5.doc

Shelley's Frankenstein/Dangers of Scientific Progress
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A 6 page essay that examines Mary Shelley's Frankenstein. The writer argues Shelley's novel seems to speak directly to the modern reader and offer explicit warning against scientific discovery unregulated by restrictions of morality or responsibility. Victor Frankenstein, Shelley's brilliant protagonist/scientist, suffers a tragic downfall worthy of the ancient Greek tragedians. Shelley's text suggests that this occurs due to two failings. First of all Frankenstein, like the ancient Greek tragic heroes, is guilty of hubris, that is, excessive pride, of "attempting to be like God" (Madigan 48), but also, he initially does not take responsibility for his actions. Furthermore, in his hubris, Frankenstein exhibits two characteristics that he himself castigates, "cowardice and carelessness," which he exhibits in the manner in which he deals with his creation (Shelley 37). Bibliography lists 4 sources.
Filename: khfrscwr.rtf

Shelley's Monster/Milton's Satan
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An 8 page research paper that discusses how a comparison between John Milton's Paradise Lost and Mary Shelley's Frankenstein can reveal multiple layers of meaning in the latter work. The writer argues that Shelley's allusions to Milton, as well as direct quotes, demonstrate that her brooding tale was influenced by Milton's work. Bibliography lists 7 sources.
Filename: khframil.wps

Shelley, Dickens, and Eliot
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A 5 page paper which examines authors and their respective time periods in literature/poetry. The paper examines Mary Shelley’s “Frankenstein” (Romanticism), Charles Dickens “Oliver Twist” (Victorian), and T.S. Eliot’s “The Love Song to J. Alfred Prufrock,” “The Waste-Land” and “The Hollow Man” (Modernism). No additional sources cited.
Filename: RAdkshy.rtf

Shen Teh and Shui Ta: The Split Personality of Bertolt Brecht's Play: The Good Person of Szechwan
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This 5 page paper provides an overview of the character development of Shen Teh and the way in which the creation of the character Shui Ta can be viewed as a kind of 'split personality.' This paper outlines one of the central themes in Brecht's play. No additional sources cited.
Filename: MHShenT_.wps

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