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Papers On Literature
Page 344 of 1292

Albert Camus’ “The Stranger” and the Sun
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A 4 page paper which examines the significance and role of the sun in Albert Camus’ “The Stranger.” Bibliography lists 1 additional source.
Filename: RAcamsun.rtf

Albert Camus/The Plague
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A 5 page essay that analyzes the structure and allegorical meaning of Albert Camus' The Plague. The writer argues that while ostensibly Camus describes the way that the plague devastated a the town of Oran, on another level, parallels can be drawn between Camus' fictional situation and the manner in which Nazis overran France during World War II. No additional sources cited.
Filename: khactp.rtf

Albert Camus: The Stranger
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A 5 page paper that offers a critique of the titled book. This essay focuses on specific questions that relate to Mersault's trial, specifically, what was the relevance of the evidence provided to the jury and what did the reader know that the jury did not know and how does this trail relate to the concept of justice. Bibliography lists 1 source.
Filename: PGcamus.wps

Alcoholism and Fantasy in the Plays of Sean O'Casey
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An eight page paper looking at three of O'Casey's major works -- Juno and the Paycock, The Shadow of a Gunman, and The Plough and the Stars -- in terms of the way the playwright intertwines alcoholism and imagination throughout the texts. The paper concludes that in all three of these plays, life is most comfortably lived in an anesthetizing haze of liquor and fantasy because naked reality is too horrible to contemplate. Bibliography lists nine sources.
Filename: KBocasey.wps

Alcoholism in the Works of O'Neill and Williams
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A twelve page paper looking at these two playwrights in terms of their treatment of alcohol consumption as an escape from reality. Specific works discussed are Tennessee Williams' "Cat on a Hot Tin Roof" and "A Streetcar Named Desire," and Eugene O'Neill's "A Moon for the Misbegotten," and "Touch of the Poet." Bibliography lists ten sources.
Filename: KBalcohl.wps

Alcott/Domesticity & Transcendentalism
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A 6 page essay that argues that Louisa May Alcott in Little Women used the nineteenth century cult of domesticity to underscore transcendental themes. Examination of Little Women shows that Alcott manages to reinterpret the ideals of domesticity within the context dictated by Transcendentalism, which shows the March sisters remaining true to themselves and their own individuality, but within the social structure dictated by nineteenth century norms. Bibliography lists 5 sources.
Filename: khaldom.rtf

Aldous Huxley's "Brave New World"
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An 8 page paper which examines critical analyses to Aldous Huxley's "Brave New World" as it relates to theme. Bibliography lists 6 sources.
Filename: RAbrave2.rtf

Aldous Huxley's "Brave New World": Truth And Beauty, Comfort And Happiness
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6 pages in length. In Chapters XVI and XVII of "Brave New World", Mustapha Mond and John the Savage debate the meaning of life. Mond asserts that Ford did a great deal to shift the emphasis from the truth and beauty to comfort and happiness. John the Savage prefers truth and beauty. Indeed, while truth and beauty represent the very foundation of existence, comfort and happiness is what humanity has chosen to pursue over and above anything else. Bibliography lists 3 sources.
Filename: TLCbrvnw.wps

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