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Papers On Literature
Page 594 of 1292
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Euripides' "Medea" And Ibsen's "A Doll's House": Empowerment
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5 pages in length. The very nature of empowerment is to obtain the strength – either internally or externally – in order to battle a personal encumbrance. For Euripides' Medea and Ibsen's A Doll's House, the two female protagonists both find themselves the victims of circumstance that prove detrimental to their existence as human beings. Medea is deceived and abandoned by her husband after she relinquishes her own life's path in order to follow his, and Nora lives within an empty shell she calls a marriage with a man who is ignorant of her emotional needs. These two characters experience a metamorphosis throughout their respective stories that ultimately encourages and empowers them to strive for what they believe. Bibliography lists 6 sources.
Filename: TLCnora.doc
Euripides' Alcestis
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This 5 page paper argues that the political issue
of gender role identification in Euripides' play, Alcestis, provides a
basis for discussion within the current social meaning of politics,
gender and society as it pertains to the ancient Greek social system.
Bibliography lists 3 sources.
Filename: KTalctis.wps
Euripides' Drama
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In a psychological drama, the attention of the
audience is focused on the reactions of the characters to the situations
presented. This 5 page paper explores the plays Alcestis, Medea and
Hippolytus by Euripides, in terms of the conflict centered on gender
issues and, or, the relationship between men and women. No additional sources are listed.
Filename: KTpsydra.wps
Euripides/The Character of Iphigenia
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A 3 page essay that discusses the characterization of Iphigenia in Euripides' plays Iphigenia at Aulis and Iphigenia at Tauris. In these plays, Euripides shows Iphigenia to be a woman of extraordinary wisdom, discernment and courage. While highlighting these qualities, Euripides also humanizes his characterization of Iphigenia by showing that she also experiences rage against the unfairness of her fate. Examination of how her character develops over the course of these two plays points toward Euripides' most fundamental concepts in regards to Greek religion and adherence to duty to the state. No additional sources cited.
Filename: khiphat.rtf
European Identity in “Utopia” by Thomas More and “The Prince” by Machiavelli
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A 5 page paper which examines European identity when meeting other cultures. The
paper utilizes “Utopia” by Thomas More and “The Prince” by Machiavelli for the
examination. No additional sources cited.
Filename: RAeurid.rtf
Evaluation of Gordon’s “Death in the Venetian Quarter: A Medieval Mystery” in Regards to its Historical Context and Connection to the Crusades
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This is a 5 page analysis of Gordon’s “Death in the Venetian Quarter: A Medieval Mystery” and additional comments on its historical context. Alan Gordon’s “Death in the Venetian Quarter: A Medieval Mystery” (2002) successfully combines elements of fact and fiction when unraveling a mystery during the end of the Fourth Crusade in 1203 in Constantinople. The historical accuracies of the novel are general in a broad sense with some variations as to the relationship of the Emperor and his family but overall the historical context only adds to the excitement of the work. A unique aspect of the work is his use of Feste the Fool as the central character. In Gordon’s version of history, court fools are part of an elite intellectual society which because of their positions are able to overhear conversations, due to the fact that most of the population disregard them, and makes them privy to information which prove helpful in their investigations. Once the reader accepts this premise, which has already been introduced by Gordon in two previous novels, the book becomes enjoyable in regards to the historical descriptions of the city and in Feste’s solving of the murder of Bastiani the silk merchant.
Bibliography lists 9 sources.
Filename: TJDVene1.rtf
Evaluation of Minor Women in Chopin’s “The Awakening”
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A 5 page paper examining the minor women in Kate Chopin’s late work. Madame Lebrun is not “invisible” but is diminished in significance through her “impertinence” and failure to see others accurately. Young black women in the employ of white or Creole women are just invisible, to the point that Chopin does not even name them. Madame Antoine is not totally invisible in the manner of the others, but Edna accepts her thoughtfulness without a glimmer of gratitude. It appears that Chopin’s own experiences and society as it existed at the end of the 19th century when Chopin was writing colored her own view and use of women of color. Bibliography lists 1 source.
Filename: KSchopinAwake.rtf
Eveline; A Tale of Psychological Paralysis
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This 6 page paper looks at James Joyce's story of Eveline in his book 'Dubliners'. Her story is typical of many of Joyce's women, dependant on men, unable to determine their own course in life and condemned to servitude by their own inability to act. This paper considers in what ways she was suffering from psychological paralysis and the causes of that condition. Quotes are used from the story to emphasise the points raised. The MLA style bibliography cites 1 source.
Filename: TEdubeve.wps
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