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Papers On American Literature
Page 393 of 532
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Reader Response to Kurt Vonnegut’s Short Story ‘Welcome to the Monkey House’
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In seven pages this reader response paper provides a literary analysis of the short story and also considers its importance to the reader. Four sources are cited in the bibliography.
Filename: TGkvmonkey.rtf
Reading, and Writing that Lasts
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This 3 page paper briefly revisits ideas of what novels are about; and then decides on 3 novels that will endure: “The Things They Carried,” “Maus,” and “Haroun and the Sea of Stories.”
Filename: HVRedWrt.rtf
Realism and Fantasy: Shaw's Heartbreak House
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A 5 page paper which discusses the
use of realism and fantasy in George Bernard Shaw's "Heartbreak House." The paper also
discusses other works of Shaw's which present similar images bordering amidst realism
and fantasy. Bibliography lists 6 sources.
Filename: RAshawhse.wps
Realism and naturalism in 19th century American literature.
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A seven page paper which looks at the concepts of realism and naturalism in fiction, particularly in relation to Howells' 'The Rise of Silas Lapham' and Dreiser's 'Sister Carrie'.
Bibliography lists 2 sources.
Filename: JLrealism.rtf
Realism and Naturalism in Short Stories: Algernon Blackwood and Theodore
Dreiser
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A 5 page paper which examines points of contrasts between the realism in
“The Empty House” by Algernon Blackwood and the naturalism in “The Lost Phoebe” by
Theodore Dreiser. No additional sources cited.
Filename: RAphoebe.rtf
Realism and Romanticism in Literary Works
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This 4 page paper discusses five short stories and the way in which their authors contrast the romantic ideal people have of themselves with their real personalities and the situations in which they find themselves. Bibliography lists 8 sources.
Filename: HVReaRom.rtf
Realism in “The Adventures of Huckleberry Finn”
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A 6 page paper which examines
realism in Mark Twain’s “The Adventures of Huckleberry Finn.” Bibliography lists 4
additional sources.
Filename: RAhuckrl.rtf
Realism/James' Daisy Miller
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Novelists frequently take their readers inside the minds of their protagonists, relating their inner-most thoughts and character. To a realist writer, such as Henry James, this sort of storytelling is unrealistic. The realistic novelist in the late nineteenth century felt that their work should hold up a mirror to reality and reflect the world not as they wished it to be, but as it is (Realism in Am. Literature). Consequently, to the realist, characterization is more important than plot and this is a feature that is particularly true of Henry James' novel Daisy Miller. Bibliography lists 2 sources.
Filename: khjhdai.rtf
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