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Papers On American Literature
Page 404 of 532
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ROMANTIC ELEMENTS IN DANIEL QUINN’S, ISHMAEL
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This 3 page paper analyzes the romantic elements in Daniel Quinn's novel, Ishmael. Quotes cited from text. Bibliography lists 1 source.
Filename: MBromqn.rtf
Romanticism and American Romanticism -- Nathaniel Hawthorne as an
American Romantic
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This 5 page report discusses romanticism in
literature that is best personified in the works of English and
some other European writers and poets of the period roughly
encompassing 1775 to 1837. Wordsworth, Keats, Shelley, Malthus,
and Austen are examples of the English tradition of Romanticism
that immediately come to mind while one is likely to think of
Coleridge, Hawthorne, and (to some degree) Thoreau and Emerson,
when thinking of the American tradition of romanticism. There
are certainly similarities, if for no other reason than the time
frame in which the writing took place, between the traditions.
But as with most aspects of a literary style, the nation in which
it is conceived (logically) changes the context in which it is
presented. Nathaniel Hawthorne is used as an example of
American romanticism. Bibliography lists 4 sources.
Filename: BWamROM.wps
Romanticism in "The Scarlet Letter"
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A 7 page paper which discusses the elements of
romanticism found in Nathaniel Hawthorne's "The Scarlet Letter." Bibliography lists 10
additional sources.
Filename: RAscrlt.rtf
Romulus Linney
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A 6 page research paper that, first of all, discusses the biography of American playwright Romulus Linney. The writer discusses his many accomplishments and his writing and then particularly focuses on Linney's play Holy Ghosts, offering a synopsis and analysis. Bibliography lists 6 sources.
Filename: khromlin.rtf
Roots and Alienation in The House on Mango Street
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A five page paper which analyses the themes of roots and alienation in Sandra Cisneros’ The House on Mango Street. The writer considers how the main character’s childhood alienation is the first stage in her reconciliation with her cultural background, and looks at the ways in which her relationship with and attitudes to other women in the novel help to shape her character and aspirations.
Bibliography lists 4 sources.
Filename: JLcisneros.wps
Roots, Identity, and Culture in the Works of Harriet Beecher
Stowe, Herman Melville, and Louisa May Alcott
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This 4 page
report discusses three of the most important writers of 19th
century America and how each of them wrote in ways that
represented the fundamental roots and cultural identity of the
United States during their lifetimes. Bibliography lists 6
sources.
Filename: BWstomel.rtf
Rousseau, Jefferson, Paine & The Enlightenment
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A 4 page research paper that discusses these eighteenth century authors. During the eighteenth century, trends in politics, society and religion culminated in the philosophical movement known simply as the Enlightenment, which drew its name from the era’s emphasis on reason and rationality (Brians). Enlightenment philosophers subscribed to the belief that “the perfect society could be built on common sense and tolerance” (Brians). Examination of the writing of Jean-Jacques Rousseau, Thomas Jefferson and Thomas Paine demonstrates the Enlightenment’s emphasis on reason and the idealistic concepts that this encompassed. Bibliography lists 4 sources.
Filename: khrjpenl.rtf
Rowlandson & Dances With Wolves
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A 3 page essay/research paper that compares Mary Rowlandson’s seventeenth century captivity narrative to the 1990 film Dances with Wolves. On February 20, 1676, a band of Narragansett Indians attacked the home of Mary Rowlandson as part of an uprising known as King Philip’s War (Wesley 42). Rowlandson and three of her children were taken captive. Rowlandson’s account of her captivity, which lasted eleven weeks, is extremely revealing as to the mindset of Puritan settlers during this period. This narrative is vastly different from the story portrayed in the 1990 film “Dances With Wolves” (directed by Kevin Costner for Orion Pictures). Nevertheless, there are similarities between the two works in that both Rowlandson and the film’s protagonist, John J. Dunbar, both undergo a transformation, that is, a change in their worldview, due to their experiences among Native Americans. Bibliography lists 3 sources.
Filename: khrowdan.rtf
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