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Papers On African-American Literature
Page 34 of 90

An Overview of David Walker’s “The Appeal”
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A 5 page overview of this pre-Civil War collection of essays, letters, and pamphlets. The author of this paper structures the discussion around the life experiences of David Walker himself, speculating about which of these experiences groomed him to the point that he was able to produce what at one point in history would become what is referred to in editor David Wilentz’s introduction to the book as “the most notorious publication in America”. Bibliography lists 3 sources.
Filename: PPblAppl.rtf

Analysis of “Narrative of the Life of Frederick Douglass”
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A 5 page paper which examines from a literacy perspective what can be learned about slavery and how the narrative functioned as abolitionist propaganda. Bibliography lists 4 sources.
Filename: TGfdoug.rtf

Analysis of Paul Lawrence Dunbar’s Poems, “Accountability” and “We Wear the Mask”
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A 5 page paper analysis of the tone, style and subject matter of two seemingly dissimilar poems. No additional sources are used.
Filename: TGdunbar.rtf

Analysis of Ralph Ellison’s Story, “Flying Home”
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A 5 page paper which examines how the setting deepens the understanding of the story, as well as deepens and illuminates the conflict. Bibliography lists 4 sources.
Filename: TGflyhom.rtf

Analysis of the Significance of W.E.B. Du Bois’ “The Souls of Black Folk”
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A 7 page paper which provides a general overview as well as an evaluation of the text’s significance and then discusses the past, current and recurring issues in the areas of political leadership, education, work, civil rights, religion, family and social class. Bibliography lists 6 sources.
Filename: TGsobf.rtf

Analysis of Themes and a Passage from Toni Morrison’s “Sula” and Gloria Anzaldua’s Creative Identity and Hybridity as Described in “Borderlands”
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This is a 5 page paper discussing themes consisted and found within Morrison’s “Sula”, Anzaldua’s “Borderlands” and the poetry and writings of Namjoshi and Hanscombe and Willis. Themes of cultural dichotomy, opposing forces, self and identity are consistent throughout writings by women minorities. In Toni Morrison’s “Sula” and Gloria Anzaldua’s “Borderlands” both describe situations of women struggling in cultures in which continuously opposing forces and cultural identities lead them to dichotomies which in some cases end in a negative direction as in “Sula” but in other instances lead to creativity as described in Anzaldua’s “Borderlands” and the Aztec elements of tlilli, tlapilli which symbolize writing and wisdom and allow for the bridge to be attained through the gods and spirit world and that which lies beneath. The themes found in the writings of Morrison and Anzaldua are also used in the poetry of Suniti Namjoshi and Gillian Hanscombe’s found in their work “Flesh and Paper” and in Susan Willis’ essay in the text “Making a Difference”. Bibliography lists 7 sources.
Filename: TJMSula1.rtf

Analysis of Toni Morrison’s “Beloved,” Opening Section of Part III
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A 6 page paper which closely examines what makes this section so important to conveying the novel’s overall themes, and considers dominant tropes and images as well as compares how the urging to claim agency to the women in Azar Nafisi’s “Reading Lolita in Tehran” and Virginia Woolf’s “A Room of One’s Own.” No additional sources are used.
Filename: TGbelthree.rtf

Analysis of William Wells Brown’s “The Escape; or, A Leap to Freedom”
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A 5 page paper which considers if, despite the obvious writing style, that the play is worthy of performance in the mainstream commercial theater, or should be reserved in books as a painful reminder of the past. Bibliography lists 4 sources.
Filename: TGescape.rtf

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