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Papers On African-American Literature
Page 70 of 90

Ralph Ellison/The Dream at the end of "Battle Royal"
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A 5 page essay that discusses "Battle Royal," which is a chapter within Ralph Ellison's classic novel Invisible Man. The novel's protagonist is an unnamed African American man who begins his story by stating that he is socially invisible to mainstream American culture, "I am an invisible man" (Ellison 441). He explains in the first paragraph of "Battle Royal" that this knowledge did not come to him automatically, not as a "realization everyone else appears to have been born with," he had to learn it for himself and this was an excruciatingly painful journey of self discovery, of which the battle royal, which is described in this narrative, was the first awful step (Ellison 441). The chapter concludes with the narrator relating a dream, which he initially does not understand on a conscious level. The dream presents images that clearly indicate that on a subconscious level, the narrator is beginning to understand his grandfather's enigmatic deathbed message and the fact that he, and all black people, were at that time socially invisible. Bibliography lists 3 sources.
Filename: khelbat3.rtf

Reading Note for Anna Deavere Smith’s “Twilight: Los Angeles, 1992”
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This is a 5 page reading note with some tutorial language (in square brackets) describing Anna Deavere Smith’s book and play “Twilight: Los Angeles, 1992”. Anna Deavere Smith’s “Twilight: Los Angeles, 1992” is a book based on over 200 interviews Smith conducted accounting the riots and Rodney King beating which took place in Los Angeles in 1992. The book and the interviews are meant as a basis for her one woman play which depicts twenty-five of the fifty interviews documented in the book. The book is divided into several sections which provide various accounts from different perspectives in reaction to the events in 1992. Despite the dire content however, Smith manages to include the right amount of satire, humor, harsh reality and unforgettable characters for the reader and also shows her great range as a writer and as an actor in her characterizations. The book also includes several images from the riots and a chronological listing of the events. Bibliography lists 1 source.
Filename: TJAnnaD1.rtf

Reading Zora Neale Hurston’s “Their Eyes Were Watching God” as a Feminist Novel
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A 6 page paper which examines this novel represents itself as a feminist text, particularly in terms of Nanny’s influence on her granddaughter, Janie Crawford, and its portrayal of male-female relationships. Bibliography lists 3 sources.
Filename: TGtewgfem.rtf

Recitatif by Toni Morrison
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A 4 page paper which examines various elements in Toni Morrison’s Recitatif. Bibliography lists 3 sources.
Filename: RAmrrre.rtf

Reflective Essay on John Taylor Gatto’s ‘Against School’ and Malcolm X’s ‘Learning to Read’
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In three pages this reflective essay considers what the writer learned from these texts and how they can be applied to life’s challenges. There are no other sources listed in the bibliography.
Filename: TGlearn.rtf

Religious Symbolism in Hurston’s “Sweat”
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This 4 page paper discusses the religious symbolism in Zora Neale Hurston’s short story “Sweat.” Bibliography lists 3 sources.
Filename: HVHurSwt.rtf

Reoccurring Issues of Slavery in Toni Morrison’s “Beloved”
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A 4 page paper which examines the structure of Toni Morrison’s “Beloved” as it keeps presenting the reader with the reoccurring theme of slavery. Bibliography lists 2 additional sources.
Filename: RAbelov1.rtf

Representations of Blacks in Literature: Zora Neale Hurston, Amiri Baraka, and Eldridge Cleaver
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A 3 page paper which examines how Hurston’s concerns about the representation of blacks in literature in her essay, “What White Publishers Won’t Print” differs from the concerns of Black Arts Movement writers Amiri Baraka (LeRoi Jones) and Eldridge Cleaver. These African-American authors beliefs about black arts and literature should be are compared and contrasted. Bibliography lists 3 sources.
Filename: TGblacklit.rtf

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