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Papers On British Literature
Page 113 of 229

Frankenstein/Defending the Monster
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A 4 page essay that argues that Mary Shelley's portrayal of the Monster in her novel Frankenstein, indicts Dr. Victor Frankenstein rather than misbegotten creature that he brings into the world. In Shelley's novel, it is clear that the monster is an innocent, a "child" who has been deprived not only of his birth right, which is the love of his "parent," Dr. Frankenstein, but also of being able to have any place within human society and all because of his appearance, not because of his character. An examination of Shelley's text makes it clear that it is human society and, specifically Dr. Frankenstein, who is at fault and not the poor monster who did not ask to be created. Bibliography lists 5 sources.
Filename: khdefmon.rtf

Frankenstein/Romantic & Neoclassical
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A 3 pages essay that argues that Mary Shelley pursued both Romantic and Neoclassical themes in her masterpiece Frankenstein. The writer argues that while valuing the Romantic values of imagination and creativity, Shelley also offers a cautionary tale that warns the reader that such elements should also be tempered by reason. No additional sources cited.
Filename: khfrrone.rtf

Frankenstein/Symbolic of Women's Fate
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An 8 page essay that discusses the Monster as a symbol of the fate of women in Victorian society. The writer argues that the way in which Shelley presents Victor Frankenstein's experimentation suggests a sexual ethos and a desire to establish dominance over nature in much the same way that male identity was predicated on maintaining dominance over women. Secondly, the creature's subjugated position in society and the manner in which he has to teach himself mirrors the way in which women had to struggle to obtain any sort of education, as the society of that period disparaged the ability of women to learn beyond a certain level. No additional sources cited.
Filename: khmonsym.rtf

Free Will in "A Clockwork Orange":
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This 10 page paper discusses the issue of free will in "A Clockwork Orange" and examines how the author, Anthony Burgess makes his point regarding this issue. Furthermore, this paper uses quotes and highlights details from the book in order to support the thesis. Bibliography lists 1 source.
Filename: GSClocko.rtf

Free Will In Bartleby The Scrivener
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This 7 page paper asserts that Bartleby The Scrivener is a man who would easily fit into the transcendental mold inasmuch as he acknowledges the rightness of his own autonomy in a world where other's expectations would seem to be of supreme importance. In this story, Melville shows that free will is possible for the individual but may have an unforeseen consequence. No additional sources are listed.
Filename: KTfrescv.wps

Freud & The Horse Dealer's Daughter
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A 5 page paper. The Horse Dealer's Daughter is one of D.H. Lawrence's short stories. As with all his work, this one is rich with symbolism. The story, however, is approached in terms of a Freudian analysis. The focus is Mabel. Bibliography lists 3 sources.
Filename: PGhors.wps

Fulfillment of Predictions Aldous Huxley Made in Brave New World Revisited
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In three pages this paper examines two chapters from Brave New World Revisited (“The Art of Selling” and “Brainwashing”) in a consideration of how people of the twenty-first century are essentially fulfilling the predictions Aldous Huxley made more than a half-century ago and the disturbing questions this raises about contemporary society. There are no additional sources listed in the bibliography.
Filename: TGbnwrevis.rtf

Gawain & Green Knight/Wife of Bath
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A 6 page essay that contrasts and compares two "Sir Gawain and the Green Knight," author unknown, written circa 1375-1400, and "The Wife of Bath's Tale" and "Prologue" by Geoffrey Chaucer. Both works offer the modern reader insight into the worldview and values of medieval society. Both narratives uphold the values emphasized by the medieval Catholic Church; however, they do so in very different ways. No additional sources cited.
Filename: khgkwob.rtf

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