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Papers On British Literature
Page 128 of 229

Identity in Griffith's "Slow River"
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A ten page paper looking at this science fiction novel in terms of its protagonist's search for identity. The paper asserts that one cannot simply walk away from one's former life and start over; the baggage brought over from experiences such as childhood abuse must be integrated and healed. Bibliography lists two sources.
Filename: KBgriff.wps

Identity in Moll Flanders (1722)
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(7 pp.) Did you read the title and think that this was an oxymoron? Did women have identities in the year Defoe's novel was published? Certainly they could not have overt identities, that is for sure; however Defoe is able to provide them for Moll in the relationship she has with her clothes and her money. If we look at Defoe's life, many of his experiences parallel Moll's, or is the other way around?
Filename: BBmollfld.doc

Identity in Tolkien's Trilogy
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A 9 page paper which examines J.R.R. Tolkien's "the Fellowship of the Ring" and "The Two Towers," from the trilogy "The Lord of the Rings," as it involves the search for identity. The paper also discusses "Animal Farm" in this examination. Bibliography lists 3 sources.
Filename: RAtolken.rtf

If Shakespeare Wrote Science Fiction, Ariel Would Use a Transporter
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This 4 page paper discusses five short science fiction stories and what it is about each of them that classifies them as being in that genre. It also suggests ways in which Shakespeare could use science fiction techniques and themes to rewrite his play “The Tempest” as a screenplay for Spielberg to direct. Bibliography lists 5 sources.
Filename: HVShakSF.rtf

Illuminating Sympathy in Middlemarch
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We form intimacy with characters because we recognize the characters feelings and responses in ourselves. Middlemarch begins with the idealism of youth – that common search for good, the desire to be heralded for creating good in the lives of others around us, creating our sympathetic entry into the story. Dorothea, how she interacts with her other cast members and lives life, exemplifies what is sympathetic in Middlemarch.... Bibliography lists 2 sources. jvMidlmr.rtf
Filename: jvMidlmr.rtf

Imagery in Marvell's Coy Mistress
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A 5 page essay that discusses Andrew Marvell's seduction poem "To His Coy Mistress." In this poem, Marvell (1621-1678) employs striking use of imagery delineates both the pleasure involved in "ceasing the day" (carpe diem) and the shortness of time, which is the philosophy's rationale. The first half of the poem employs imagery to establish a sense of intimacy between Marvell and his lover. The second half employs time imagery to focus on the point that life is short. Collectively, this argument makes this one of English literature's most persuasive seduction poems. Bibliography lists 4 sources.
Filename: khcoymis.rtf

Images of Light and Dark in "Paradise Lost"
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This 9 page paper discusses Milton's use of images of light and dark in "Paradise Lost." Bibliography lists 6 sources.
Filename: HVMiltIm.rtf

Images of nature in a selection of poems and plays
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A five page paper which looks at the way nature is treated in a selection of English poems and plays, including Donne's 'Anatomy', Marvell's 'The Garden', Herbert's 'The Man', Milton's 'Paradise Lost', Jonson's 'Volpone' and Webster's 'The Duchess of Malfi'.
Filename: JLnature.rtf

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