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Papers On British Literature
Page 176 of 229

Roy Jenkins' "The Chancellors: A History Of The Leaders Of The British Exchequer, 1886-1947"
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12 pages in length. Roy Jenkins' purpose for penning The Chancellors: A History of the Leaders of the British Exchequer, 1886-1947 was not so much to chronicle the political contributions of each of the nineteen men who held office during this particular period; rather, the author chose a more personal approach as a means by which to portray the psychological and political components of each protagonist. Unlike similar accounts on the subject, Jenkins employs a significant sense of humor, not-so-subtle irony and rather unflattering perspective of what he calls a disparate lot of British Chancellors who had no more in common with one another than somewhat more than average ability and substantially more than average ambition. Indeed, The Chancellors' essays do not represent the typical and stuffy account of history's British moneymen. No additional sources cited.
Filename: TLCjenks.doc

Rudyard Kipling: A Biograpy
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(5 pp) When the Swedish academy released the Award of Literature in 1907 to Rudyard Kipling, they did so with the commendation, "in consideration of the power of observation, originality of imagination, virility of ideas and remarkable talent for narration. which characterize the creations of this world-famous author." Kipling responded, "Words are, of course, the most powerful drug used by mankind." Bibliography lists 9 sources.
Filename: BBkiplng.doc

Runciman: "The Fall of Constantinople 1453."
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This 6 page paper discusses Steven Runciman's book about the fall of Constantinople, an event that shocked the Western world. Bibliography lists 4 sources.
Filename: HVRuncim.rtf

Rushdie: frontiers and boundaries in Imaginary Homelands, Shame and Midnight’s Children
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A paper which looks at the concepts of frontiers and boundaries in three texts by Salman Rushdie, with specific reference to postcolonial and postmodernist elements in his work. Bibliography lists nine sources.
Filename: JLrushdie.rtf

Samuel Coleridge/Rime of the Ancient Mariner
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A 5 page research paper, in which the writer argues that the traditional interpretation of "Mariner," which sees the poem as Christian allegory, comes closest to capturing its meaning. The writer also explores how the poem has been interpreted by various critics. Bibliography lists 7 sources.
Filename: khancmar.rtf

Samuel Taylor Coleridge and the Important Role of Nature in “The Rime of the Ancient Mariner” and “Kubla Khan”
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This is a 3 page paper discussing the role of nature in Coleridge’s work. Samuel Taylor Coleridge (1772-1834) wrote during the Romantic Movement under which his prose and poetry took in an understanding of nature which was intrinsically important during his time. His work often explored the many sides of nature including its beauty, power, and sometimes the mental isolation man can feel when removed from nature or when immersed in it. Two works “The Rime of the Ancient Mariner” and “Kubla Khan” explore different physical and mental components imposed by nature by Coleridge as the Mariner is punished both physically and mentally in his crime against and disrespect for nature while the obvious respect for the force of natural elements is shown throughout “Kubla Khan”. Bibliography lists 4 sources.
Filename: TJSTCol1.rtf

Sarah Scott/Millenium Hall
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A 6 page essay that examines Sarah Scott's utopian novel A Description of Millenium Hall (1762). The writer argues that the main problem with utopian fiction is how to make an ideal society interesting to the reader. Scott handles this problem adroitly through the employment of Sir George Ellison, a wealthy merchant traveling for his health, as narrator. The reader is introduced to the community and learns about the lives of its founders with Ellison. Bibliography lists 2 sources.
Filename: khmilhal.rtf

Satan & Frankenstein’s Monster
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A 4 page essay that discusses the similarities between Satan in Milton’s “Paradise Lost” and the character of Frankenstein’s Monster in Mary Shelley’s Frankenstein. Both characters were expelled from the place where they were created by their creators. Both were are considered hideous in form. Both are evil. However, there are also differences between the two characters that relate to the very different intentions of each author. No additional sources cited.
Filename: khsafmon.rtf

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