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Papers On British Literature
Page 181 of 229
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SIGNIFICANCE OF HENRY MELVILLE’S SHORT STORIES: THE PARADISE OF BACHELORS AND THE TARTARUS OF MAIDS
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This 4 page paper discusses the question of literature and life through the analysis of Melville's short story The Paradise of Bachelors and the Tartarus of Maids. Quotes cited. Bibliography lists 1 source.
Filename: MBmville.rtf
Silence in The Remains of the Day
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A five page paper which looks at the way in which the concept of silence is used in Ishiguro's 'The Remains of the Day' with particular reference to the development of Stevens' character.
Filename: JL2remains.rtf
Sin And Death In Paradise Lost
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Milton, within the second book of
Paradise Lost presents an allegory or metaphorical parable to explain
the existence of Sin And Death. This 5 page paper explores the use and
purpose of the allegory. No additional sources are listed.
Filename: KTsindth.wps
Sin in British Literature
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A 15 page analysis of the theme of sin as developed in Chaucer's Canterbury Tales, Shakespeare's Hamlet, and Milton's Paradise Lost. It examines first the theme as presented in the Book of Genesis, looks at St. Paul's explication of it in the book of Romans, then shows how the three British writers mentioned above either supported or rejected it. Bibliography lists 11 sources.
Filename: Sin2.wps
Single Women in Sense & Sensibility
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A 5 page essay that discusses what Austen has to say about single women in British society. All of the accounts of single women in the novel point to the fact that that women, at this time in British history, had no real political or civil power of their own. Given this fact – that a female's position in society was entirely defined by her male associations – it is, therefore, understandable that all of the attentions of the single women in the novel are directed toward possible marriages between eligible females and likely males. The young women are concerned with finding mates, and the older single women, the widows, are, likewise, preoccupied with possible pairings. No additional sources cited.
Filename: khsws&s.wps
Sir Gawain and the Green Knight: Character Ending, Chivalry and Hunting
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This is a 5 page paper discussing Gawain’s character at the end of the tale, aspects of chivalry and the significance of the hunting scenes. “Sir Gawain and the Green Knight” is a well loved tale of chivalry and bravery which was originally written in the late 1300s. What makes this tale of chivalry different from others about King Arthur’s court however is the venerability discovered in its central character, Sir Gawain. When Gawain is tested on his journey to meet the Green Knight, he realizes that he cannot stick with his virtues of courtesy and bravery because he fears for his life. Spared by the Green Knight, Gawain is rewarded for his honesty and is accepted back into the court; humiliated and humbled. In addition to the satirical and entertaining tale, the author also includes in great detail three hunting episodes. These hunts are meant to parallel a similar hunt going on within the household between the Lady and Gawain but are also there to stress the important place hunting had in their lives during Gawain’s time.
Bibliography lists 3 sources.
Filename: TJGawai1.rtf
Sir Gawain/Greek Knight/Mix of Pagan & Christian
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A 3 page essay that analyzes the medieval poem "Sir Gawain and the Green Knight" (circa 1375-1400). The writer argues that this poem is an amalgamation of Christian and pagan elements, which are discussed and substantiated with quotes from the poem. No additional sources cited.
Filename: khsggkpc.rtf
Sir Thomas More/Virtue in Utopia
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A 7 page essay that discusses More's Utopia. Sir Thomas More published Utopia in 1516. In this work, which is widely considered to be his masterpiece, More ostensibly describes the ideal society, however, the true intention of the work was to provide More with a platform that he could use to criticize social and political policy in sixteenth century England. In so doing, More presents opinions that differ sharply from his contemporaries Nicolo Machiavelli, author of The Prince, and Castiglione, author of The Book of the Courtier, who, like More, also express a position relative to the nature of virtue within the context of political power. Examination of the attitudes of these contemporaries shows how drastically different More's Utopia was, even in regards to his own era. No other sources cited.
Filename: khmoretc.rtf
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