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Papers On French Literature
Page 13 of 38
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Aeschylus' Oresteia & Sartre The Flies
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A 7 page essay that examines the stagecraft employed in these two works. While the art of playwriting has evolved and changed over the course of Western civilization, playwrights whether ancient or modern had to accomplish similar tasks in the storytelling and dramatization. The audience, in both cases, has to be informed about the background to the story, that is, the context in which the play takes place. The audience should also understand the nuances of characterization and the motivation that propels the characters to specific actions. Looking at the stagecraft of the ancient Greek playwright Aeschylus, in his trilogy Oresteia, and the modern adaptation of this myth in Jean-Paul Sartre's The Flies, it can be seen how each author uses different theatrical devices to accomplish their storytelling goals. No additional sources cited.
Filename: khaessar.rtf
AFFAIRS AS LITERARY METAPHOR
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This 5 page paper discusses the use of the indiscreet affair as a metaphor for social commentary. Use and comparison of the novels Madame Bovary and The Seducer's Diary. Bibliography lists 2 sources.
Filename: MBvehaff.rtf
Albert Camus "The Stranger" / Character Of Mersault
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In this 8 page essay, the writer evaluates Mersault's character and essentially describes him as a good man destroyed by a civilization which cannot bear the truths that he shows them and the absurdity of the games he will not play with them. Specific quotes and examples are used to better-illustrate points made. No other sources used.
Filename: Stranger.wps
Albert Camus and “The Stranger”
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A 6 page paper which examines the life of Albert
Camus and also discusses how his work “The Stranger” reflects something of his life.
Bibliography lists 3 sources.
Filename: RAcmusst.rtf
Albert Camus and the Concept of the “Authentic Man”
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This 3 page
report discusses the Algerian by birth but French by choice
writer and existential philosopher, Albert Camus, and his concept
of the “authentic man.” In “The Plague” (1947), he offers an
allegorical literary work and something more. Most critics
relate the story to World War II, however, in “The Plague” Camus
actually tells a story that presents the support for a desperate
need to fight against what amounts to as the invalidation or
indifference of human beings regarding human suffering outside
their personal realms of existence.
No additional sources.
Filename: BWmancam.wps
ALBERT CAMUS AND THEMES OF COLONIALISM
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This 3 page paper discusses the themes of colonialism in Camus' works, A Happy Death and The First Man. Bibliography lists 3 sources.
Filename: MBcmus.rtf
Albert Camus' The Plague
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This 5 page paper provides an overview and assesses the notion of the benefits or good that comes from the plague through an assessment of Albert Camus' The Plague. This paper considers the way in which specific advantages can be determined from the plague as defined by Camus and the conflicting effects. No additional sources cited.
Filename: MHCamPla.wps
Albert Camus’ “Le Renegat”
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This 3 page report briefly discusses
Albert Camus (1913–60) and his essay “Le Renegat.” His opinion
that that the human condition is fundamentally absurd led to his
being categorized with the existentialists, but he vigorously
denied and loyalty to that group; his works express what can be
thought of as a courageous and compassionate humanism. Camus was
awarded the Nobel Prize for Literature in 1957. No other sources.
Filename: BWrenegt.wps
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