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Papers On French Literature
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Feminism And Madame de Stael
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5 pages in length. It is quite appropriate to speak of the connection between Madame de Stael and the notion of feminism in nineteenth-century French literature. Indeed, one of the most powerful books on feminist conjecture is that of Corinne, a story Madame de Stael wrote about an aristocratic heroine who is in constant clash with the society around her. This approach to female strength was not a course many writers braved during this time; rather, to put forth the struggles inherent to gender issues was a bold statement about the patriarchal influence of the period. Bibliography lists 3 sources.
Filename: TLCMmStael.rtf

Flaubert Questions
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A 5 page paper that answers 9 questions pertaining to Flaubert's Madame Bovary. The questions particularly focus on the structure of the pivotal seduction scene in chapter 8. No additional sources cited.
Filename: khbovqu.rtf

Flaubert's "Madame Bovary" as a Tragic Figure
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A five page paper looking at this heroine in Gustav Flaubert's novel in terms of the degree to which she fits Aristotle's definition of a tragic hero. The paper concludes that she does, particularly when her situation is viewed against the social backdrop of nineteenth-century French society. Bibliography lists three sources.
Filename: KBbovar3.wps

Flaubert's A Sentimental Education
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This 5 page paper provides a detailed analysis of the protagonist and his friendships. The theme is addressed and various elements are discussed as it relates to the character's relationships. Bibliography lists 2 sources.
Filename: SA648Fla.rtf

Flaubert, Swift Comparison
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A 5 page essay that compares 2 works. Jonathan Swift penned his satirical masterpiece, “A Modest proposal in 1729. Roughly a century later, Gustave Flaubert wrote “A Simple Heart” (also known as “A Simple Soul”). While considerably time separates these two works, examination of the principal theme addressed by both Swift and Flaubert demonstrates that the attitude of the middle and upper class that was directed towards the common people had not appreciably changed over the course of the intervening century. The common theme is the way in which the European upper classes regarded the working class. Both Flaubert and Swift indicate that the upper classes tended to objectify those who labored on their behalf, as working people, the poor, and their servants were viewed as being less than fully human. No additional sources cited.
Filename: khflswco.rtf

Flaubert/Emma Bovary
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A 4 page essay that discusses the characterization of Emma Bovary in Gustave Flaubert's novel Madame Bovary. This novel recounts the life and death a beautiful young woman who is frustrated in her unrealistic search for romantic love. Flaubert portrays Emma Bovary as lacking in all the qualities that would have qualified her a true Romantic. She is concerned with appearances rather than inner values; sensual rather than spiritual; emotional but not with the accompany tempering quality of being warm-hearted. In the hands of a less-skilled writer, Emma might have come across as merely supercilious and shallow; however, Flaubert's treatment of her is much more sympathetic as the reader sees her against the backdrop of her era, which suggests that rather putting all the blame directly on Emma for her shortcomings, she is the logical outcome of her culture. Bibliography lists 2 sources.
Filename: khemmbgf.rtf

Flaubert/Emma Bovary
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A 4 page essay that discusses the causes for Emma Bovary’s unhappy life and eventually suicide. These causes include Emma’s convent education and her passion for Romance novels, which is a habit she continued into adulthood. Also in childhood, the death of her mother and the occupation of her father influenced her environment, as did the double standards of the nineteenth century in regards to the social opportunities and expectations of women and men. No additional sources cited.
Filename: khebcau.rtf

French Literature
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A 10 page paper which examines themes within French literature. The works discussed are Balzac's “Le Pere Goriot,” Flaubert's “Madame Bovary,” Proust's “Du Cote de Chez Swann,” Gide's “L'Immoralist,” and Camus’ “L'Etranger.” No additional sources cited.
Filename: RAfrnlit.rtf


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