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Papers On Spanish, Portugese & Latin-America/Caribbean Literature
Page 17 of 36

Examples of Renaissance Concepts in Miguel de Cervantes’ “Don Quixote”
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A 5 page paper which examines how the Renaissance manifests itself throughout the text in terms of humanism, politics, and abstract expressionism. No additional sources are used.
Filename: TGdqhum.rtf

Fate in The Alchemist
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An analysis of the concept of Fate as used by Coelho in The Alchemist, and the way in which predestination and free will are treated in the course of the narrative. Bibliography lists one source.
Filename: JLalchem.rtf

Federico Garcia Lorca/Play Trilogy
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A 3 page research paper/essay that discusses the Federico Garcia Lorca’s play trilogy. The editors of the New England Review add a biographical note to their publication of Federico Garcia Lorca’s poem “Siguiriya’s Way,” which identifies Lorca as one of the greatest poets and dramatists of modern Spain (Lorca, 2005, p. 96). This poem mixes sensuality with the ever-present threat of violence, which is as theme that is prominent in Lorca’s work. Three of Lorca’s best-known plays are his trilogy: “Blood Wedding,” “Yerma,” and “The House of Bernarda Alba.” Examination of these plays demonstrates how Lorca uses the elements of melodrama to represent the presence of overwhelming sexual desire within the context of the negotiated power. Bibliography lists 5 sources.
Filename: khlorca.rtf

Federico Garcia Lorca: Trilogy
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6 pages in length. The sexual instinct that represents the creativity in Federico Garcia Lorca's trilogy of three plays depicting Spain's cultural identity clearly establishes the manner by which the playwright aspires to portray the intensity of his characters' existence. Interwoven amidst this underlying sexual instinct is the relationship of Spain's socioeconomic concerns at that time and how Lorca reinforces this subject with the use of theatrical and artistic methods. Bibliography lists 3 sources.
Filename: TLCLorca.rtf

Female Sexuality in House of Bernarda Alba
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A 3 page essay on Federico Garcia Lorca’s play “The House of Bernarda Alba,” which is part of a trilogy in which each play expresses the way that women were “crushed by Spanish customs and social life” during the early twentieth century (Jones and Jones 13). In Bernarda Alba, the cast is virtually all women, as there is only one brief appearance by a male. In this play, Garcia Lorca uses the theme of suppressed sexuality to underscore the corrosive nature of Spanish cultural expectations towards women. Bibliography lists 5 sources.
Filename: khlorcab.rtf

Feminist Analysis of Sandra Cisneros’ “The House on Mango Street”
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A 5 page paper which examines how the book portrays feminine stereotypes and the male oppression the characters’ face. Bibliography lists 4 sources.
Filename: TGmango.rtf

Fitting in: Okada and Rodriguez
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A 5 page paper which examines a quote from “No-No Boy” by John Okada and “Hunger of Memory” by Robert Rodriguez as they relate to fitting in. This concept addresses anger and resentment towards family as well as identity issues possessed by the primary character in the stories. No additional sources cited.
Filename: RAokada.rtf

Francisco de Quevedo/Sonnet 478
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A 3 page essay that offers an explication of Francisco de Quevedo's Sonnet 478. This examination of Sonnet 478 demonstrates the connection that Quevedo made between the concept of Neoplatonic love and the anguish of unrequited love. Bibliography lists 2 sources.
Filename: khfdq478.rtf

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