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Papers On Mixed & Comparative Literature - All Countries
Page 3 of 76

Sir Gawain, Morte D'arthur, & The Romantic Tradition
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A 6 page paper on Sir Gawain and the Green Knight, as well as Le Morte D'arthur by Thomas Malory. The paper argues that both works are romances, although they reflect the tradition in different ways; the medieval romance genre is defined, and then both stories are analyzed to show how they fit the tradition. Bibliography lists two sources.
Filename: Gawainmd.wps

Shakespeare Put to Music
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A 5 page paper which examines the whether or not the musical works of Verdi's 'Macbeth' and 'Otello' ('Othello'), Mendelssohn's incidental music for 'A Midsummer Night's Dream,' Tchaikovsky's fantasy overture and incidental music for 'Hamlet,' and Cole Porter's 1948 musical, 'Kiss Me, Kate' (based on 'The Taming of the Shrew') capture the quality and mood of the Shakespeare plays which inspired them, or merely echo their plots. Bibliography lists 7 sources.
Filename: TGmusic.rtf

The “Vile Body” and the Grotesque
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An eight page paper looking at the relationship between our fascination with the grotesque and our dissatisfaction with our own bodies. Supplementary sources discussed include Mary Russo’s “The Female Grotesque: Risk, Excess, and Modernity” and Robert Louis Stevenson’s “The Strange Case of Dr. Jekyll and Mr. Hyde.” The writer also touched on Mary Pipher’s “Reviving Ophelia,” and the theories of Carl Jung. Bibliography lists six sources.
Filename: KBgrotes.wps

Salvation and Nature in Crane and Bierce
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A 5 page paper looking at the degree to which the salvation of a character is dependent upon whether he adapts to his natural surroundings. The paper specifically discusses Stephen Crane’s short story “The Open Boat” and Ambrose Bierce’s “An Occurrence at Owl Creek Bridge.” No additional sources.
Filename: KBcrane.wps

Mill, Carlyle & Victorian Society
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A 7 page paper showing how Thomas Carlyle and John Stuart Mill influenced the Victorian age as much as they were influenced by it. It shows how their philosophies informed the age they lived in, and how their influence stretched into the twentieth century as well. Bibliography contains two sources.
Filename: Millcar.wps

Modernism in Marx, Freud, Nietzsche -- and Eliot
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A seven page paper analyzing the way the writings of Marx, Freud, and Nietzsche influenced the development of modernism in general and the works of T.S. Eliot in particular. Works mentioned are Eliot’s “The Love Song of J. Alfred Prufrock,” “The Waste Land,” and “Tradition and the Individual Talent”; Marx’ letters; Freud’s “Civilization and its Discontents”; and Nietzsche’s “On the Genealogy of Morals.” Bibliography lists four sources.
Filename: KBmodern.wps

“Gawain” and “Cei”
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A ten page paper looking at these two characters of Arthurian romance -- one from Chretien de Troyes’ “Erec and Enide” and “Lancelot,” and the other from Rosemary Sutcliff’s contemporary novel “Sword at Sunset.” The paper points out that Gawain is demeaned in Chretien’s works because he needed a more distinctively Gallic hero, while Sutcliff needed to make Cei more warrior-like to fit with her own setting. Bibliography lists 7 sources.
Filename: KBgawain.wps

Questioning Authority In Renaissance Drama
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A 6 page paper looking at Shakespeare's King Lear, The Tempest, and Spanish playwright Lope de Vega's Fuente Ovejuna in terms of the degree to which they permit characters to question and flout authority. The paper argues that this has a great deal to do with the medieval view of government as a God-given hierarchy, and only as humanism began to take hold could authority be questioned. Bibliography lists 5 sources.
Filename: Devega.wps

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