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Papers On Mixed & Comparative Literature - All Countries
Page 22 of 76

Aphra Behn's "Oroonoko" Compared To Jonathan Swift's "Gulliver's Travels" - Self/Other Dichotomy
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7 pages in length. The self/other dichotomy is present in myriad forms throughout literary history, but perhaps nowhere is it better illustrated then within the context of Aphra Behn's Oroonoko and Jonathan Swift's Gulliver's Travels, two pertinent examples of how the respective authors can uphold the same approach yet do so in quite different ways. Behn seeks to remove herself from other authors of her genre who characterize themselves as social elitists in relation to the sorry, uncivilized masses they deem as being inferior. In this quest, Behn maintains the self/other differentiation by way of infusing the protagonist with the two elements that demarcate precisely the objective she seeks: education and beauty. Swift, by comparison, does much the same to support the self/other dichotomy, however, he accomplishes this by pointing out the flaws that comprise Gulliver's very being. Bibliography lists 2 sources.
Filename: TLCOroonoko.rtf

Arabian Nights and Days and Rapunzel
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A 3 page paper which compares and contrasts Naguib Mahfouz’s “Arabian Nights and Days” and the Grimm Brothers’ “Rapunzel.” No additional sources cited.
Filename: RArapunz.rtf

Araby and Sonny’s Blues
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A 3 page paper which compares and contrasts James Joyce’s Araby and James Baldwin’s Sonny’s Blues. No additional sources cited.
Filename: RAarjj.rtf

Arch Romantics as Personified by Emma Bovary, Jay Gatsby, Gilbert Markham and Shakespeare’s Orsino
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This 5 page report discusses the idea that many of the modern attitudes and beliefs that have shaped literature throughout the ages have demonstrated how people view the realities of love and longing. For example, Jay Gatsby would have never been the character he was without his focus on Daisy and Emma Bovary’s “scandalous” behavior would have never occurred had she been able to remove herself from what modern romance writers would describe as a “forbidden passion.” Bibliography lists 4 sources.
Filename: BWarchrm.wps

Aristocracy in “Daniel Deronda” and “Pride and Prejudice”
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A 5 page paper which compares and contrasts how aristocracy is depicted in George Eliot’s “Daniel Deronda” and Jane Austin’s “Pride and Prejudice.” No additional sources cited.
Filename: RAdernda.rtf

Art as Thematic Element
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A 5 page paper which examines how different authors use art as an element, pertaining to theme, which serves to gain the attention of the reader. In most cases the use of art is incredibly subtle and is there as a tool to express, and more thoroughly define, the position of the individual within the story. In examining this topic the paper uses "M. Butterfly" by David Henry Hwang, "Real Love" by Andrew Ross, and "How the Garcia Girls Lost their Accents" by Julia Alvarez. No additional sources cited.
Filename: RAartbks.rtf

Aspects of the Equality of Women and Women in Marriage as Found in Passages from Ibsen, Wollstonecraft, de Pizan, Mill and Chopin
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This is a 6 page paper discussing the equality and education of women in the works of Ibsen, de Pizan, Wollstonecraft, Mill and Chopin. The equality and education of women and issues which relate to the equality of in marriage have long been evident in the literature of the past 500 years. Christine de Pizan in 1405 first wrote on the importance of the education of women and the ideals of equality in her work “Book of the City of Ladies”. Since that time the same issues have been discussed by Henrik Ibsen in the relationship between Nora and Torvald in “A Doll’s House” (1879), Mary Wollstonecraft in ““A Vindication of the Rights of Women” (1792), John Stuart Mill in “The Subjection of Women” (1869) and Kate Chopin in “The Awakening” (1899). Contrary to the popular belief that women need marriage and men to “rise” in society, these writings show that women crave education and only want marriage if it can be on equal intellectual terms. Bibliography lists 10 sources.
Filename: TJfiveW1.rtf

Beckett, Pinter, and the Theatre of the Absurd
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An eight page discussion of this seminal genre of twentieth-century drama, and two of its most notable practitioners, Harold Pinter and Samuel Beckett. Specific plays discussed include Pinter's "The Birthday Party," and Beckett's "Endgame" and "Waiting for Godot." Bibliography lists seven sources.
Filename: KBabsurd.wps

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