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Papers On Mixed & Comparative Literature - All Countries
Page 41 of 76

Issues in Cultural Literature
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A 9 page paper which examines several different stories and novels that deal with cultural realities. The novels or stories examined are “The God of Small Things” by Arundhati Roy, “Maru” by Bessie Head, “Jasmine” by Bharati Mukherjee, “Secrets” by Nuruddin Farah, “Moth Smoke” by Mohsin Hamid, “Grain of Wheat” by Ngugi wa Thiong'o, “The Guide” by R.K. Narayan, “Ambigious Adventures” by Cheikh Kane and “Death of a King’s Horseman” by Wole Soyinka.
Filename: RAafnvl.rtf

James Joyce's "A Portrait Of The Artist As A Young Man" And The Daedalus Myth: Interconnection
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3 pages in length. The intrinsic connection between James Joyce's A Portrait of the Artist as a Young Man and the Daedalus myth is both grand and far-reaching; that Joyce's main character shares the same last name as the mythical hero's signals the common denominator of such seemingly opposing elements as personal discovery and rebellion. Bibliography lists 1 source.
Filename: TLCDaedalus.rtf

James Joyce's "Dubliners": Restriction And Repression
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8 pages in length. James Joyce's "Dubliners" possesses many important components of restriction and repression that, if not taken in their direct context, will be overlooked by the average reader. It is essential to also look beyond the author's obvious intention with regard to the stories' overall meaning so as not to miss the grand but elusive subtleties. To be sure, Joyce's writing incorporated a significant amount of blatancy while also implying considerable obscurity. The writer discusses four stories from Joyce's "Dubliners." Bibliography lists 10 sources.
Filename: TLCdubln.doc

James Joyce's "The Dead" And Virginia Woolf's "The Legacy": Relationships
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5 pages in length. Love is often not enough to sustain a relationship between two people, which has been effectively demonstrated in both The Dead and The Legacy. Joyce's Gabriel and Gretta Conroy and Woolf's Gilbert and Angela Clandon represent the epitome of disguise by existing within a relationship under the illusion of love. The writer discusses how the Conroy's and the Clandon's address the issue of marriage in very different ways. No additional sources cited.
Filename: TLCwoolf.doc

Jane Smiley's "A Thousand Acres": Departure From Shakespeare's "King Lear"
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5 pages in length. Jane Smiley's "A Thousand Acres" has long been compared to Shakespeare's "King Lear"; while there are many similarities to the classic play, one can readily argue that there are just as many departures from "King Lear," as well. One of the most pertinent departures addresses women and their place in society, with the overt implications of fear and control represent the role women play in Smiley's "A Thousand Acres." Bibliography lists 2 sources.
Filename: TLCacres.wps

Japanese & American Literature of the Early 20th Century
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A 5 page paper that considers a comparison between Japanese and American literature around the turn of the century, and reflects on the political, social and religious determinants that influenced writers of this era. Bibliography lists 6 sources.
Filename: Japalit.doc

John Fowles' "The French Lieutenant's Woman": Alienation
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5 pages in length. Alienation can accurately be described as an inclination of temperament or outlook. Another way to describe it would be to call it a highly personal and unreasoned distortion of judgment. More often than not, alienation is defined as a negative outlook. In the case of John Fowles' "The French Lieutenant's Woman," alienation is what the author's protagonist -- Sarah – comes to loathe. While she is an upstanding and compassionate woman, she is unfairly thrust into the lair of societal judgment when she is falsely accused of being a whore. The writer discuss how this erroneous conclusion not only causes her unmerited emotional distress but it also casts an even larger shadow of doubt as to whether or not her French sailor will ever return for her. No additional sources cited.
Filename: TLCfowls.doc

John Grisham's "The Client" and Mario Puzo's "The Godfather Part I"
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10 pages in length. The lure of the good life, as enhanced by drugs, prostitution and easy money, is a prominent Italian Mafia theme between John Grisham's The Client and Mario Puzo's The Godfather Part I. In the typical one-for-all, all-for-none mentality of a world gone bad, both of these literary projects casts a visual image of the Italian Mafia that fosters all the illustrious wrongdoing made possible by a group of streetwise gangsters. There is virtually no prejudice left untapped, no symbolism left untouched and no stereotype left unadulterated when the Italian Mafia is represented The Godfather Part I and The Client. All that one can expect from such a collection of malcontents is just what one receives: the quest for fortune though illegal avenues. The Godfather Part I was a particularly intriguing story by the way it illustrated a complete lack of conscience: Killing, maiming, thieving and lying were touted as being the manner by which to lead one's life in the Italian Mafia, because that is what will get one the finer things in life. Indeed, it became clear early on in Puzo's saga that part and parcel to the Italian Mafia's composition is constantly being on the make, going through the proverbial back door in their obsessive pursuit of the American Dream. No additional sources cited.
Filename: TLCgdfth.doc

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