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Papers On Music, Film, Television, Theater & Photography
Page 38 of 387
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"Mankind" and "Everyman"
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This 3 page paper discusses two morality plays, "Mankind" and the classic "Everyman." Bibliography lists 2 sources.
Filename: HVManEvr.rtf
"Mary Silliman's War" and "The Way of Duty"
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A 6 page paper which compares the film "Mary Silliman's War" to the book which the film was based on. The book is "The Way of Duty" by Joy and Richard Buel. Bibliography lists 2 additional sources.
Filename: RAsillim.wps
"Masks in Modern Drama" by Susan Harris Smith
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A 12 page paper which examines
chapters 2, 3, 4, and 5 of Susan Harris Smith's book "Masks in Modern Drama." No
additional sources cited.
Filename: RAmasks.rtf
"National Geographic": Political Propaganda or Insight into the Exotic and Fascinating?
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A 6 page discussion of the criticism that has been waged by some authors against "National Geographic". Analyzing those criticisms and evaluating them against one specific article in particular this paper concludes that "National Geographic" is not a political publication and it is not intended to be. The publication's "images are formed, selected and controlled, purveyed and read" (as one author has contended) all right but they are presented for the specific purpose of giving us a view of the exotic and the interesting not the political and controversial. Bibliography lists 3 sources.
Filename: PPntlGeo.rtf
"Naturalism" in Two Strindberg Plays.
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(5 pp) In the he late 1880s Strindberg began to
experiment with free verse and created the great
dramas The Father (1887), Miss Julie (1888), and
Creditors (1888). The Father vividly expresses
Strindberg's view of the war between the sexes, in
which he saw man as victimized by woman. Miss Julie
is a psychological study of the seduction of an
upper-class woman by an insensitive chauffeur.
This discussion will look at the naturalism shown
in both plays.
Bibliography lists 6 sources.
Filename: BBstrnbg.doc
"Naturalism" in Two Strindberg Plays.
[ send me this paper ]
(5 pp) In the he late 1880s Strindberg began to
experiment with free verse and created the great
dramas The Father (1887), Miss Julie (1888), and
Creditors (1888). The Father vividly expresses
Strindberg's view of the war between the sexes, in
which he saw man as victimized by woman. Miss Julie
is a psychological study of the seduction of an
upper-class woman by an insensitive chauffeur.
This discussion will look at the naturalism shown
in both plays.
Bibliography lists 6 sources.
Filename: BBstrnbR.doc
"Noises Off"
[ send me this paper ]
A 3 page paper which discusses the play "Noises Off." The paper
discusses relevant details of the script and the production, what the script and the
production are seeking to achieve, and what elements of the script and the production are
successful, or otherwise, in achieving the goal of this theatrical event. bibliography lists 1
source.
Filename: RAnoisoff.wps
"Norma Rae": Significance to Contemporary Worker Welfare
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A 5 page discussion of the events depicted in this 1979 movie to real-life worker welfare. Describes the deplorable conditions faced by factory workers during this period and introduces the topic of unionization. Notes that unionization gave the masses a single, powerful voice which could not be ignored by factory owners and managers. No additional sources are
listed.
Filename: PPnrmaRa.wps
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