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Papers On Music, Film, Television, Theater & Photography
Page 44 of 387

"The Siege" - Post September 11, National Security And Terrorism
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5 pages in length. Examining the impact 1998's The Siege had upon portrayal and predictions of post-September 11th American society, one finds a startling parallel between reality and fiction. The quest to gather up Arab-Americans as being somehow related to the recent terrorist incident smacks of the gross infringement upon civil liberties that ensued immediately following the real life attacks on 911. Bibliography lists 4 sources.
Filename: TLCSiege.rtf

"The Stepford Wives" Then And Now: Opposites
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6 pages in length. While the two versions of The Stepford Wives share a common storyline, there are fundamental differences between the films great enough to qualify them as opposites. The psychological, feminist and patriarchal underpinnings all remain intact, however, it is the gender switch and genetic references that serve to differentiate the 2004 remake from its 1975 original. Whereas Joanna succumbs to the manipulative, mind controlling authority and ultimately becomes a Stepford robot wife in the first version, her 2004 character performs her own manipulation by pretending to have been transformed in order to escape that very thing. This aspect of the film illustrates how the focus is no longer on the weak female as it was thirty years ago but rather spotlights the strength that women have developed as a gender over the past three decades. Moreover, the additional genetic component of the latter film puts into greater perspective the potential consequences associated with artificial engineering and man's constant need to tinker with concepts that are far beyond his thorough understanding. Bibliography lists 11 sources.
Filename: TLCStepford.rtf

"The Tempest": Film and Text
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A 5 page paper which compares and contrasts the film and the text version of "The Tempest." The film version discussed is Paul Mazursky's. No additional sources cited.
Filename: RAtempst.wps

"The Wall" and Conflict Theory
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A 6 page paper which examines the Pink Floyd film "The Wall" from a perspective concerning conflict theory. Bibliography lists 4 sources.
Filename: RApinkwl.rtf

"Thin Red Line"/A Moral View
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An 8 page paper that looks at the movie "The Thin Red Line" and evaluates it according to several moral theories, including utilitarianism and Kantianism. Bibliography lists 6 sources.
Filename: khredlne.wps

"Traditionalists and Revivalists in Jazz" by Chip Deffaa
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A 12 page book review which considers the book's chronicle of 14 important performers who are frequently overlooked in popular jazz texts. Bibliography lists 10 sources.
Filename: TGtrarev.wps

"Triumph Of The Will" And "Anne Frank Remembered": Compare/Contrast
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6 pages in length. The distinction between narrative and fiction is that narrative is derived from reality, whereas fiction is born of someone's imagination. That is not to say that either one presents a better form of documentary than the other, but rather to recognize that one's foundations is based in truth, while the other comes from the imaginative process. An example of a narrative documentary, "Triumph of the Will" might be construed as any one of various historical accounts where the information possesses a factual background, while "Anne Frank Remembered" represents a narrative where there is no assault upon the subject's integrity. War, nature, biographies -- these all represent a narrative in that they document reality, yet based upon the criteria found in Dai Vaughn's "For Documentary: Twelve Essays," Riefenstahl's account bears a significant obstacle in capturing absolute truth when compared with Blair's personal chronicle of Anne Frank's struggle against Nazi invasion. Bibliography lists 4 sources.
Filename: TLCTriWl.rtf

"What About Bob?"
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A 3 page paper discussing the ethics of the behavior of mental health professionals as portrayed in this 1992 Bill Murray comedy. Bibliography lists 1 source.
Filename: KSfilmReWhBob.rtf

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