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Papers On Music, Film, Television, Theater & Photography
Page 47 of 387

1956 Film Adaptation/Moby Dick
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A 3 page essay that discusses director’s John Huston’s 1956 film adaptation of Herman Mellvile’s 1851 novel Moby Dick. Huston offers a simplified version of the novel, yet the film manages to capture the basic thematic essence of Melville’s study of good and evil, as the film primarily focuses on the character of Ahab and how his obsession with the great white whale that took his leg comes to rule over his life. Bibliography lists 2 sources.
Filename: kh56moby.rtf

2 Ballets/Traditional & Innovative
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A 6 page research paper that compares and contrasts a traditional ballet, Petipa's Sleeping Beauty, with an innovative ballet of the next century, Balanchine's Agon. Bibliography lists 7 sources.
Filename: khsbag.rtf

2 British Gangster Films
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A 9 page research paper that, first of all, discusses the gangster film genre, in general, and then in relation to two British films, The Long Good Friday and Lock, Stock and Two Smoking Barrels. Bibliography lists 9 sources.
Filename: kh2gbf.rtf

2 films: America and The Patriot
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A 12 page research paper that reports on these films: D.W. Griffith's 1924 film America and Roland Emmerich's 2000 film The Patriot. The writer summarizes both films, compares them, discusses their historical accuracy and then offers personal opinion as to whether or not the filmmakers made the right creative decisions and whether the films should be used by educators. Bibliography lists 5 sources.
Filename: khampat.rtf

2 Very Different Popular Songs
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A 4 page research paper that discusses 2 different popular songs. The term "popular music" encompasses a huge range of music, written for a variety of purposes for use by a broad range of performers and intended for an equally varied audience. At what might possibly be considered as opposed ends of the popular music spectrum are Bob Marley's "I Shot the Sheriff," which incorporates Caribbean rhythms into a song that expresses the frustration of marginalized people against the often arbitrary power of authority, and Rodgers and Hammerstein's Oklahoma! from their 1943 musical. One song is an underground protest against authority; the other is a song meant to celebrate the mythos of mainstream culture. Bibliography lists 4 sources.
Filename: khmarrh.rtf

2 WWII Films/Purple Heart & Casablanca
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A 10 page research paper that examines 2 world war II films. The writer argues that these films exemplify the message being sent via movies to the American public. The Purple Heart (1944) and Casablanca (1942) both emphasize the reasons why Americans were fighting, as well as providing a template for the ideal of self-sacrifice. Bibliography lists 5 sources.
Filename: kh2wwii.rtf

28 Days Later/Film as Nightmare
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A 5 page essay that analyzes the 2002 film 28 Days Later, Fox Searchlight Pictures, directed by Danny Doyle, written by Alex Garland and produced by Andrew Macdonald. The writer argues that this film is a nightmare of the first quality that expresses contemporary Western paranoia in regards to the idea that a new, possibly manufactured, plague could wipe out humanity. While this movie can be taken as a grim prediction of things to come, it can also be seen as an allegorical expression of the Cold War, which suggests a more fortuitous future if humanity manages to keep its head and negotiate, once again, the tricky line between vigilance and paranoia that eventually resulted in victory for the West. Bibliography lists 1 source.
Filename: kh28d.rtf

3 Independent Films
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A 6 page essay/research paper that examines Clerks (1994), Pulp Fiction (1994), and The Blair Witch Project (1999). These are very different movies, yet they are all classified as successful independent films. The differences between these films brings up what question of what, precisely, constitutes an independent film? The writer explores this question in relation to these 3 films. Bibliography lists 5 sources.
Filename: kh3indys.rtf

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