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Papers On Music, Film, Television, Theater & Photography
Page 49 of 372
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Analysis of Tom in "The Glass Menagerie"
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This 3 page paper is a character analysis of Tom, one of the three main characters in Tennessee Williams' classic play "The Glass Menagerie." Bibliography lists 1 source.
Filename: HVTomGls.rtf
Analysis of “A Raisin in the Sun”
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An 8 page paper which examines motives, solutions, means, and mystery in Lorraine Hansberry’s play “A Raisin in the Sun.” No additional sources cited.
Filename: RAraissn.rtf
Analysis of “Conversations After a Burial” by Yasmina Reza
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An 8 page analysis of
the play “Conversations After a Burial” by Yasmina Reza. Bibliography lists 2 additional
sources.
Filename: RAreza.rtf
Analysis of “Farewell My Concubine (Ba Wang Bie)”
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A 5 page paper which examines the opening and closing scenes of the film, and also considers a thought-provoking aspect of the film. Bibliography lists 2 sources.
Filename: TGfarewl.rtf
Analysis of “Mr. Strehlow’s Films”
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A 5 page paper which examines the series of documentary films that captured the life, customs and rituals of the Australian aborigines. Bibliography lists 4 sources.
Filename: TGmrstre.rtf
Analysis of “Pulp Fiction” and the Transformation of Jules
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This 5 page report discusses the 1994, Quentin Tarantino movie “Pulp Fiction” and the character of Jules Winnfield. Postmodernism serves as the primary context in which a character such as Jules is moving through his “journey.” Regardless of his reprehensible actions, he is part of a particular aspect of modern life which, for him and his partners has both meaning and depth. His realization of the possibility and even the likelihood of miracles is, in itself, a miracle. Bibliography lists one source.
Filename: BWpulpfi.rtf
Analysis/Coppola's Apocalypse Now
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An 11 page essay that examines Francis Ford Coppola's film Apocalypse Now (1979). The writer argues that Coppola's visual manifesto on Vietnam is also a journey into the subconscious and the brutal nature that lies beneath the thin veneer of so-called civilized behavior. Like its literary predecessor, Joseph Conrad's novel Heart of Darkness, on which the screenplay is loosely based, Coppola constructed the narrative of the film so that it demonstrates how identity is a social construct predicated on the reconstruction or remembrance of the past. Bibliography lists 5 sources.
Filename: khaponow.wps
Analysis: “Hoosiers,” the Film
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This 3 page paper discusses the film “Hoosiers,” and its lasting appeal, based on the slogan “Winners Never Quit, Quitters Never Win,” and how that applies to such things as race, gender, class, etc. Bibliography lists 3 sources.
Filename: HVHoosrs.rtf
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