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Anthropology of Rock Music
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This 3 page paper examines rock music in terms of effects on culture as well as its alliance with different cultures. Many examples are provided. Bibliography lists 3 sources.
Filename: SA708rck.rtf

Anti-Catholic Bias in Film and Television
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This 5 page report discusses the ways in which the media presents an anti-Catholic bias in film and television. Bibliography lists 5 sources.
Filename: BWancath.rtf

Anti-romantic elements in neo-classical music of the early twentieth century
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A paper which looks at the development of neoclassical music, such as that of Stravinsky, in the early twentieth century, with particular reference to the rejection of the Romantic movement and the socio-cultural changes brought about by the First World War. Bibliography lists 5 sources.
Filename: JLromclasmus.rtf

Antigone and Haemon: Love, Religion and Politics
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This 3 page paper discusses the themes of love, religion and politics in Sophocles’ play “Antigone.” Bibliography lists 2 sources.
Filename: HVAntHae.rtf

Antigone and Justice
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A 3 page paper which examines Sophocles’ tragic heroine’s deep commitment to the concept of justice. No additional sources are used.
Filename: TGantjus.rtf

Antiheros in the Films “Angels With Dirty Faces” and “Taxi Driver”
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A 5 page paper which defines the concept of an antihero, discusses its characteristics, and then applies them to an examination of how criminals are portrayed as antiheroes in these films. Bibliography lists 2 sources.
Filename: TGantihero.rtf

Anton Chekhov and "Uncle Vanya"
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A 5 page paper which examines, briefly, the life of Anton Chekhov, and then discusses the play "Uncle Vanya," illustrating that he is perhaps the most likeable character in the play. Bibliography lists 3 additional sources.
Filename: RAvanya.wps

Anton Chekhov's 'The Cherry Orchard': Productions
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8 pages in length. Myriad productions have been created that revolved around Anton Chekhov's The Cherry Orchard; however, time after time each rendering failed to present the play in the comedic style that Chekhov had originally intended. Curiously, even the playwright's own wife did not detect the comedic air to her husband's tale, noting only that she expressed her delight at the play and the tears it evoked. Amazed at how she and all other members of the company could not experience the intended farce, Chekhov finally relinquished his struggle to maintain The Cherry Orchard as a comedy. As such, Stanislavsky's production – the first of its kind – presented a melancholy version. The writer compares Stanislavsky's production with those of Andrei Serban, Peter Brook and Lucian Pintilie. Bibliography lists 3 sources.
Filename: TLCchekh.wps

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