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Papers On Music, Film, Television, Theater & Photography
Page 89 of 387

Blanche and Stanley’s Power Struggle in Tennessee Williams’ “A Streetcar Named Desire”
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This is a 5 page paper with a 1 page outline discussing the power struggle between Blanche and Stanley in Williams’ “A Streetcar Named Desire”. In Tennessee Williams’ “A Streetcar Named Desire” a vicious power struggle occurs between Stanley and Blanche. Ultimately they are battling over the love and approval of Stella although in the end neither seems to consider Stella’s feelings in the climax of the play which would seem to indicate that it was the gaining of the power over each other which was more vital than Stella’s approval. Williams was said to have included sexual, social and racial tensions throughout his plays to reflect aspects he had witnessed or experienced in life. Blanche and Stanley’s power struggle is reflective of those perceived in the post World War II era when neither side could be considered entirely good or entirely bad and the assets over which they fought, in this case Stella, were no better off at the end of the struggle than at the beginning. Bibliography lists 4 sources.
Filename: TJSNDes1.rtf

Blanche DuBois and Willy Loman
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A 6 page paper which compares and contrasts Blanche DuBois from Tennessee Williams' "Streetcar Named Desire" and Willy Loman from Arthur Miller's "Death of a Salesman." No additional sources cited.
Filename: RAblanch.rtf

Blanche DuBois: Insane?
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A 5 page paper which examines the character of Blanche DuBois from Tennessee William's play "A Streetcar Named Desire." The paper discusses whether or not she is insane. Bibliography lists 3 sources.
Filename: RAblnch2.rtf

Blockbuster Movies And Independent Films: Compare/Contrast
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6 pages in length. Blockbuster movies may draw in millions upon millions of revenue dollars over and above their independent - or Indie - counterparts, but that is not because they are intrinsically better in quality, plot or underlying message; rather, it only reflects the manner by which blockbusters conform to cookie-cutter expectations of a myopic audience that refuses to push the envelope or go beyond its comfort zone. Indies, on the other hand, take up where blockbusters leave off and fill in the blanks that ultimately render these films as having substance, value and a connection to real life. Bibliography lists 5 sources.
Filename: TLCIndieFilms.rtf

Blood In, Blood Out
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This 3 page paper considers the characters in the film “Blood In, Blood Out” and argues that Merton’s theory of the “American dream” and Shaw and MacKay’s theory of “zones of transition” are the best tools to use to describe their lives as shown in the film. Bibliography lists 3 sources.
Filename: HVbludio.rtf

Blues Music vs. Country Music
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A 6 page paper analytically comparing these two styles of music. The writer details various similarities and differences in lyric and content, and includes two original songs as examples in an appendix.
Filename: Bluescou.doc

Blues Traveler / Music And Society
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A 6 page paper discussing music's role in society, today, yesterday, in America and elsewhere. The main band in focus is Blues Traveler, a relatively new band, in comparison to some, that has a tremendous following, heralded by some as the next Grateful Dead. While they appear to be fairly simple individuals they are involved in issues which illustrate how music collides with society in many ways. Bibliography lists 4 sources.
Filename: Bluestra.wps

Bob Dylan -- the Social and Musical Evolution of Folk Music to “Folk-Rock”
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This 8 page report discusses singer and songwriter Bob Dylan and is role as one of the major figures in American folk and rock music. It is important to understand that Dylan came to prominence in the midst of truly significant social, political, and ideological change in the United States. One critic wrote in 1998 that: “Bob Dylan couldn't wait for the music to change. He couldn't be only part of the change. He was the change itself. Unlike other songwriters who voiced their politics through their music, Dylan garnered widespread popularity as his words seemed to echo the sentiments of teens of thousands of thousands of the young “rebels” of the 1960s. He was thought of as both a musical and political visionary and apparently viewed himself in equally epic proportions. Bibliography lists 8 sources.
Filename: BWbdylan.wps

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