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Papers On Music, Film, Television, Theater & Photography
Page 115 of 387

Comparing “White Man’s Burden” and “Baby Boy”
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This is a 5 page paper comparing the films “White Man’s Burden” and “Baby Boy”. “White Man’s Burden” (1995) directed by Desmond Nakano, and “Baby Boy” (2001) directed by John Singleton, are two films which both tell the stories of unemployed lower class individuals who exist and try and live within a racial society. “White Man’s Burden” shows a very class restrictive racial society in which the director has reversed the class distinctions by portraying a time when America is dominated by African Americans in the conservative upper class and the lower class is dominated by poor whites. The main character, Louis Pinnock, loses his job and blames his white boss and seems to be a victim of society and his class. In “Baby Boy” however, which portrays the urban African American society which exists today, the main character, Jody, seems more a victim of his own doing and at first seems disinterested in improving his life style. “Baby Boy” shows the anger of the African Americans and also the violence which can occur but also portrays a more in depth sensitive look at the lower class without providing stark contrasts with the upper class. Bibliography lists 5 sources.
Filename: TJWManB1.rtf

Comparing 3 paintings & painting/music
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A 6 page essay that discusses three paintings and Beethoven’s Fifth Symphony. “The Abduction of the Sabine Women” by Nicolas Poussin (1634), “The Death of General Wolfe” by Benjamin West (1770), and “The Raft of the Medusa” by Theodore Gericault” (1818) are each representative of a specific period in art history. Comparing the three works illustrates the way in which the Romantic era reconnected with the emotionality and vibrancy of the Baroque. However, it should be noted that Neoclassical works were not without emotion, as Beethoven’s striking Fifth Symphony exemplifies, rather it indicates that comparison between the periods illustrates that in the Neoclassical era, emotion was controlled within the confines of rationality. A bibliography is not offered.
Filename: kh3ptb5.rtf

Comparing and Contrasting Dumbo (1941) with The Little Mermaid (1989)
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This 6 page paper examines these two animated films in the context of four questions posed by a student. Various issues are explored including the times in which they were made. Bibliography lists 5 sources.
Filename: SA709ani.rtf

Comparing and Contrasting Elvis and Eminem:
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This 8 page paper examines the similarities and differences between these two musicians and uses specific songs from each artist as examples. This paper details their music in terms of lyrics, the technical aspects of the music, their cultural impact, and more. Bibliography lists 4 sources.
Filename: GSElvisP1.rtf

Comparing and Contrasting Mary Shelley's Horror Novel "Frankenstein" With Kenneth Branagh's Film Adaptation
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A 6 page paper which compares and contrasts the horror genre, as represented in novel and cinematic form. An overview of each is provided, along with critical reviews and an evaluation of their respective strengths and weaknesses. Bibliography lists 5 sources.
Filename: TGfranknm.wps

Comparing and Contrasting Moliere's, "Tartuffe", and Durang's, "Sister Mary Ignatius Explains it ALL":
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This 4 page paper discusses the religious hypocrisy which is the main theme in both plays. Furthermore, this paper investigates the many differences of these plays, and how each author chose to highlight the theme of hypocrisy. Bibliography lists 5 sources.
Filename: GSMolier.rtf

Comparing and Contrasting the Book and Film Versions of Ken Kesey's Novel, "One Flew Over the Cuckoo's Nest"
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A 5 page paper which compares and contrasts Ken Kesey's 1962 novel, "One Flew Over the Cuckoo's Nest" with Milos Forman's 1975 film adaptation. Bibliography lists 3 sources.
Filename: TGcuckoo.wps

Comparing Bach and Mozart
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Music is heard through the senses, however, it is experienced through both the senses and the emotional response. This 6 page paper explores the differences in style, tempo and harmonic language between Johan Sebastian Bach's Suite No. 1 in C and Mozart's symphony number 36 (the Linz symphony). Bibliography lists 7 sources.
Filename: KTbchmoz.wps

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