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Papers On Music, Film, Television, Theater & Photography
Page 117 of 387

Comparing Two “Romeo and Juliet” Movies
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This 3 page report discusses two 20th century movies based on Shakespeare’s “Romeo and Juliet” that are easily remembered and compared because of their distinctive style and presentation. In 1968, Franco Zeffirelli created a lush costume extravaganza that told the Romeo and Juliet story (in the U.S., it was released in 1974. In 1996, Australian director Baz Luhrmann presented a much more stylized interpretation titled William Shakespeare’s Romeo + Juliet. Characteristics of both movies are presented. Bibliography lists one source.
Filename: BWrojuli.rtf

Comparing Two John Ford Films
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A 5 page research paper that compares two films by director John Ford, 'The Searchers' and 'Young Mr. Lincoln.' The writer argues that while these two films are very different, each film reflects Ford's perspective on the significance of the American frontier and how this environment interacts with what is normally thought of as 'civilization.' Bibliography lists 3 sources.
Filename: 99fordfm.wps

Comparing Two Versions of Mice and Men
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A 5 page comparison between two film versions of Steinbeck's Of Mice and Men – a 1981 made-for-television version of the story starring Randy Quaid in the role of Lenny and Robert Blake as George, and a 1992 remake for theatre release starring Gary Sinise as George and John Malkovich as Lenny. The writer argues that the 1992 version is slightly superior to the 1981 TV version. Bibliography lists 4 sources.
Filename: khmm.rtf

Comparison Between Miguel de Cervantes Saavedra's "Don Quixote" and Clint Eastwood's Film, "Unforgiven"
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A 3 page paper which compares the novel and the film in terms of the stature of the sidekick (Sancho Panza vs. Ned Logan and the Schofield Kid), the stature of the adversary (Enchanter and Samson Carrasco vs. Little Bill Daggett and W.W. Beauchamp, and the stature of the leading lady (Lady Dulcinea vs. Delilah). Bibliography lists 2 sources.
Filename: TGundon.wps

COMPARISON CONTRAST OF DOUBLE INDEMNITY AND CHINATOWN
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This 6 page paper discusses the similarities and differences in the movies Chinatown and Double Indemnity as regards the use of noir elements. Bibliography lists 4 sources.
Filename: MBdblchina.rtf

Comparison of Realism in De Sica’s “Bicycle Thieves” and Eisenstein’s “The Battleship Potemkin”
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This is a 5 page paper discussing realism as found in De Sica’s “Bicycle Thieves” and Eisenstein’s “The Battleship Potemkin”. Vittorio de Sica’s film “Bicycle Thieves” (1948) and Sergei Eisenstein’s “The Battleship Potemkin” (1925) both use various elements of realism in order to portray stories which relate to the realistic lives lived by ordinary citizens during times of turmoil. De Sica’s film takes a personal story of one man in his attempt to live in a time of crime and poverty in Fascist Italy. De Sica’s elements of realism include not only the story of an ordinary man but also the director uses real locations and ordinary people for the roles as opposed to sets and actors, quite a departure from the fantasy films common to the time. Eisenstein in “The Battleship Potemkin” also used many ordinary people and sailors in his film but was careful not to focus on any one individual as he told of the horrid living conditions on the ship and the resulting revolution of the masses of people against the evil force of the government. In addition to using non-actors in much of the film, Eisenstein also uses quite vivid and graphic images in an intellectual montage in order to shock his viewers into the horrors and reality depicted in the film. Bibliography list 5 sources.
Filename: TJbicyc1.rtf

Comparison of Teaching Strategies /Piano
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A 5 page research paper that contrasts and compares different strategies for piano instruction. The writer discusses various methods for beginning instruction and also a strategy that stresses theory for teaching older students and adults. Bibliography lists 4 sources.
Filename: khcompno.rtf

Comparison/Assessment of the Classical and Romantic Music Periods
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This is a 6 page paper discussing the Classical and Romantic periods of music. Classicism or the Classical Period (1750-1820) of music was quite different from that which followed it found in the Romantic Period (1820-1910). The Classical Period was known for its shift away from the flowery Baroque Period and toward more balanced and simple pieces which were performed before a public audience. For the first time music was written for its own means and not as an accompaniment for dancing or a special occasion. This “absolute music” saw the emergence of such composers as Mozart, Haydn and Beethoven among many others and also saw the development of the instrumental importance in the form of concertos, symphonies and sonatas as well as the comic opera. The Romantic Period built upon the instrumental work of the Classical Period by expanding the size of the orchestras and the length of the symphonies. In addition, styles unique to the Romantic Period emerged which included the development of the Romantic symphony, the symphonic poems, the concert overtures, the Romantic operas, the Lieder, National music and the popularity of works for the piano. Composers from the Romantic era included Bizet, Chopin, Dvorak, Liszt, Mendelssohn, Puccini, Schubert, Tchaikovsky, Verdi, and Wagner among many others in which forms were not always based on the traditional German, Italian or French styles. Bibliography lists 3 sources.
Filename: TJromcl1.rtf

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