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Papers On Music, Film, Television, Theater & Photography
Page 123 of 387

Court Martial: A Few Good Men
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A 4 page paper which examines and discusses the court martial system as seen in the film A Few Good Men. No sources cited.
Filename: RAcurm.rtf

Courtly Love in “Shakespeare in Love”
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A 10 page paper which examines the ideals of courtly love as it is represented in the film “Shakespeare in Love.” Bibliography lists 3 additional sources.
Filename: RAshklv.rtf

Cowboy Mentality and the Film, “The Magnificent Seven” (1960)
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A 5 page paper which evaluates how the John Sturges’ film does and does not reflect the cowboy mentality embodied by Theodore Roosevelt in terms of theme examination, scenes representative of American culture, portrayal of women and ethnic minorities, and other subtle nuances in dialogue and character. Bibliography lists 3 sources.
Filename: TGmagseven.rtf

Cradle Will Rock
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An 8 page analysis of this film. Every theatrical production and film recreates an alternate reality in order to provide the backdrop to form of storytelling that incorporates visual elements. The following analysis of Tim Robbins’ 1999 film Cradle Will Rock discusses the theatrical and cinematic elements that make up this compelling film. No additional sources cited.
Filename: khcwrock.rtf

Craig and theatre design
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A paper which looks at the importance of Gordon Craig's contribution to theatre design, both in terms of his innovative staging and the way in which his perspective of the function of theatre as a whole influenced changes in the presentation of dramatic texts in the twentieth century. Bibliography lists 8 sources
Filename: JLcraig.rtf

Crash & Intercultural Communication
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A 5 page essay/commentary on the movie Crash. The writer first offers a 1 page plot summary, then discusses the movie's themes for 3 pages before offering a 1 page personal observation. No additional sources cited.
Filename: khcraic.rtf

Crash, A Central Theme
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A 3 page essay that discusses the central theme of this film. The central theme in the film Crash (2005, directed and written by Paul Haggis) is racism, as all of its ensemble of characters whose lives crash into each other over the course of narrative harbor some sort of racist attitude to greater and lesser degrees. Some characters, such as Jean, a white woman, is overtly racist. Others, such as Graham, an African American police officer, are less racist, but still convey aspects of racism. No additional sources cited.
Filename: khcrshct.rtf

Crash, A Cinematic Parable
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A 3 page film review of the movie Crash. Parables are narratives that convey a moral meaning that usually encompasses specific aspects of the nature of a society and its moral and social norms. In the film Crash (2005, directed by Paul Haggis), the audience is presented with a present day cinematic parable that dramatizes several different story lines and the ways in which no segment of contemporary American society is separate from the collective whole. This thematic point is emphasized in the way in which the various story lines intersect. Examination of the social web of relationships that characterizes this film indicates this parable's meaning and its relevance to contemporary American culture. No additional sources cited.
Filename: khcrash2.rtf

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