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Papers On Music, Film, Television, Theater & Photography
Page 129 of 387
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David Lean’s 1962 Film, “Lawrence of Arabia”
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A 5 page critique that considers its importance to the epic film genre and includes critical reactions to the film. Bibliography lists 5 sources.
Filename: TGarabia.rtf
David Lynch's 'Eraserhead'
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This 6 page research paper examines director David Lynch's first full-length feature film, Eraserhead. Specifically discussed is the concept of experimental films, and the characteristics of Eraserhead which make it representative of the genre. Bibliography lists 6 sources.
Filename: Erashead.wps
David Lynch's "Blue Velvet" and Personal Identity
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This 10 page report discusses David Lynch's 1986 film "Blue Velvet" and how it demonstrates how everybody lives in a society where, either consciously or unconsciously, we exist in relation to (and within the boundaries of) the reigning - or dominant - ideology. This "manner of thinking" is the manner of those with the loudest voice, the larger vote, the fatter bank-account, the better education, and the bigger church. That dominant ideology is what then governs personal identity and what is and is not "normal." Bibliography lists 5 sources.
Filename: BWbluvel.rtf
David Lynch's Film Version of "Twin Peaks" / Analyzed
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This 5 page research paper examines how David Lynch's big-screen 'prequel' to the cult 1990-91 television series, Twin Peaks -- Fire Walk With Me (1992) combines film and television genres and how the traditions are disrupted. Specifically discussed are how Lynch portrays the dual world of the American dream and American disillusionment. Bibliography lists 5 sources.
Filename: Twinpeak.doc
David Lynch: Post-Modernism
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9 pages in length. The true essence of life's dramatic celebrations and postmodern accomplishment is portrayed with vivid mastery within David Lynch's television and film works. Lynch's participation in such productions as Dune, The Amputee and Twin Peaks – the last of which "provides an example of the changing relation between television and society in the 1990s, with its postmodern complexity" (Lavery, 1993, p. 239) - is instrumental in catapulting his influence to the heights they ultimately reached with regard to reflecting the very essence of postmodernism. These works - which effectively draw from the writer, director and actor's ability to perpetuate the transitional nature of postmodern theory from the more minimalistic phase in television and film to one where creative limitations are only a past memory - is characterized by a combination of his production prowess and cinematic mastery. The audience has little difficulty understanding the attraction of such works as Blue Velvet and Wild at Heart through Lynch's postmodern approach, all of which work synergistically as a means by which to create filmatic creations that gloriously represents the fruits of his collective labor. Bibliography lists 8 sources.
Filename: TLCLynchPM.rtf
David Mamet/Oleanna
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A 5 page essay about David Mamet's evocative play, Oleanna, which can be read on several different levels. One of the principal ways in which it can be addressed is in the way that Mamet presents the world of higher education through the character of John, the egotistical college professor. No additional sources cited.
Filename: khmamet.wps
Dead Poets Society & Communication
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A 3 page research paper that explores communication in this film. The writer argues that the heart of the film is the tension created by contrasting the manner in which a talented teacher, John Keating (Robin Williams) communicates with his students and the communication style employed by authoritarian school officials and the parents of the boys. Examination of this film and its message illustrates many of the points discussed in the research literature on this topic. Bibliography lists 5 sources.
Filename: khddp.rtf
DEAD SOULS
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This 9 page paper gives a brief overview of the Bulgakov adaptation of Gogol's novel: Dead Souls. Steps for production and translation of this novel to the silver screen or stage are given. Examples, plot analysis, themes and symbolism are given. Camera angles, shots, possible stage scenery discussed as well. Bibliography lists 2 sources.
Filename: MBlitbulga.rtf
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