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Papers On Music, Film, Television, Theater & Photography
Page 152 of 387

Faulkner: “The Reivers”
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This 3 page paper discusses the film “The Reivers,” based on the William Faulkner novel of the same name. The paper discusses three times when Lucius could have taken a different, easier path, but did something difficult instead. Bibliography lists 1 source.
Filename: HVreiver.rtf

Federico Fellini's 'La Dolce Vita' ('The Sweet Life')
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A 5 page paper which discusses the technical and aesthetic aspects of Federico Fellini's landmark film La Dolce Vita (1960), including shots, angles, composition, design, summary, decor, time, space, languages, ideology, symbols and their meanings, and scenes which were especially effective in conveying its message. Bibliography lists 4 sources.
Filename: Dolvita.wps

Female American Film Directors
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This 27 page research paper explores the contributions of women directors to American cinema. Specifically discussed are the films of Lois Weber, Dorothy Arzner, Ida Lupino, Elaine May, Joan Micklin Silver, Claudia Weill and Susan Seidelman and their depiction of male and female characters. Bibliography lists 14 sources.
Filename: Femaldir.wps

Female Composers of the Renaissance
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This 4 page paper discusses women composers of the Renaissance (there are very few), and mentions the trobairitz who also seem to have enjoyed success in the Middle Ages. Bibliography lists 3 sources.
Filename: HVFemCom.rtf

Female Film Directors; The Gender Difference
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This 9 page paper examines the position of female directors. The paper argues that today, just as in the past, the only way in which a woman can succeed as a director is to compromise her views in order to comply with male expectations, or find a back door into the industry. This is considered from the first female director Alice Guy Blache up to the modern day. This trend is also seen as a global phenomena and not limited to only the western world. The bibliography cites 5 sources.
Filename: TEwomdir.wps

Female Independence and George Etherege’s “The Man of Mode” and Aphra Behn’s “The Rover”
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This 5 page report discusses two 17th century Restoration comedies that consider the relationships between men and women and the role that each plays, or is assigned to, in their societies. Bibliography lists 4 sources.
Filename: BWapmode.rtf

Female Spectatorship
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5 pages in length. The overwhelming sense of maleness within the early film industry lends itself to the notion of female spectatorship. That men were in complete control of how a film was shot – from the camera angle and perspective to the most subtle nuances pertaining to blocking, dialogue and story line – speaks volumes regarding the intended masculine viewpoint manifested in these productions. Such films as Psycho, Rebecca and All About My Mother clearly portray the overtly masculine perspective, while at the same time only appear to project to the female spectator. This clever masquerade is what has motivated such precedence-setting authors as Laura Mulvey and Betty Friedan to take issue with the manner by which the issue of female spectatorship has been addressed. Bibliography lists 4 sources.
Filename: TLCspect.wps

FEMALE UNITY AND THE SILVER SCREEN: THE COLOR PURPLE
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This 5 page paper examines the female relationships in the novel, The Color Purple, and how those relationships fail when translated to the silver screen. Bibliography lists 1 source.
Filename: MBfumun.rtf

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