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Feminine and Material Perspectives in Film
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A 6 page paper which examines the feminine perspective and the material perspective in film, as well as one television show. The works discussed in regards to the feminine approach are “Babette’s Feast,” “Top Gun,” “Sanjuro,” and “The Birds.” The materialism perspective discusses “City Lights,” “Citizen Kane,” “O Brother, Where Art Thou,” and the Miami Vice episode titled “Trust Fund Pirates.” Bibliography lists 9 sources.
Filename: RAfilms.rtf

Feminism and Film
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A 9 page paper which examines how feminism has added to our understanding and appreciation of film. Bibliography lists 5 sources.
Filename: RAfmnflm.rtf

Feminism in Ibsen’s “A Doll’s House”
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A 4 page paper which examines Henrik Ibsen’s play “A Doll’s House” from a feminist perspective. Bibliography lists 3 additional sources.
Filename: RAdllfem.rtf

Feminism in Movies: Dead or Alive?
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A 3 page paper which illustrates how feminism is alive, though perhaps more rare than not, in films today. Bibliography lists 4 sources.
Filename: RAfmmv.rtf

Feminist Critique/Disney Films
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A 3 page summation and analysis of Pamela O'Brien's essay "The Happiest Films on Earth." The writer states that the purpose of this essay is to demonstrate that, despite certain superficial changes in perspective, the Walt Disney films Cinderella and The Little Mermaid show that the Disney support of patriarchal ideology did not change between the production of these two films. No additional sources are cited.
Filename: khdis2.rtf

Feminist Film Theories and Alfred Hitchcock’s “Rear Window”
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A 10 page paper which examines how different feminist approaches to film and visual theory are applied to Hitchcock’s 1954 film. Bibliography lists 10 sources.
Filename: TGfemRW.rtf

Feminist Perspectives on Frankenstein Being Symbolic of Women’s Fate
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In ten pages this paper examines how Mary Shelley’s 1818 novel and James Whale’s 1931 film Frankenstein depict the fate of women who are entrenched within a patriarchal society that was based upon their total dependence on men. Eight sources are listed in the bibliography.
Filename: TGfrankfate.rtf

Feminist Theory and Videos of Shakira’s “Whenever, Wherever” and Lil’ Kim’s “No Matter What People Say”
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In five pages this paper compares and analyzes these videos within the context of E. Ann Kaplan’s feminist criticism, including her essay entitled “Whose Imaginary? The Televisual Apparatus, The Female Body and Textual Strategies in Select Rock Videos on MTV.” Two sources are cited in the bibliography.
Filename: TGfemvideo.rtf

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