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Papers On Music, Film, Television, Theater & Photography
Page 167 of 387

Forrest Gump / An American Mythological Hero
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An 8 page paper exploring Forrest Gump the character in the popular movie of the same name as a popular American mythological hero. Various aspects of the Forrest Gump story are compared to the qualities of what we typically perceive as the qualities of a hero. Bibliography list three sources in addition to the movie.
Filename: Gump.wps

Forrest Gump and Agents of Socialization
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A 4 page paper which examines the agents of socialization that Forrest Gump encounters in the film, Forrest Gump. No additional sources cited.
Filename: RArnrnf.rtf

Foucault and Orwell
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This 2.5 page paper discusses the similarities between Michel Foucault’s theories of panopticism and George Orwell’s novel “1984.” Bibliography lists 2 sources.
Filename: HVfouorw.rtf

Four Brothers: Depiction of the Aged
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A 4 page paper which examines how the film Four Brothers depicts an aged individual, the mother of the four brothers. Bibliography lists 2 sources.
Filename: RA4bro.rtf

Four Plays - Comparing Comedy and Tragedy
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This 4 page paper answers specific questions about four plays in relation to each other: “The Bacchae,” “Lysistrata,” “The Jew of Malta” and “The Merchant of Venice.” Bibliography lists 4 sources.
Filename: HV4Plays.rtf

Fragile as Glass
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This 4 page paper discusses the way in which the device of memory in Williams' play "The Glass Menagerie" informs viewers expectations of the work. Bibliography lists 1 source.
Filename: HVGlass.rtf

Francis Ford Coppola's Godfather Movies:
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This 5 page paper discusses theme and style issues in Coppola's three Godfather movies. Specific examples are given in terms of how Coppola portrays his characters. Bibliography lists no sources.
Filename: GSCoppol.rtf

Francis Ford Coppola: His Place in the History of Film, Influences, Style and Impact on the Film Industry
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This is a 5 page paper discussing Francis Ford Coppola: his life, influences and impact on the film industry. Francis Ford Coppola has attained a great place in the history of American film makers as one of the most innovative, dedicated and most of all independent directors of the second half of the 20th century. Inspired originally by directors such as Orson Welles and Jean-Luc Godard, Coppola and his colleagues from the late 1960s and early 1970s have managed to create a unique and committed independent film generation. The Italian operatic lighting and music throughout the film “The Godfather” and the painstakingly realistic “Apocalypse Now” have escalated Coppola higher than his original intention to “launch something independent and something American that was really related to cinema”. In the creation of his own studio, Zoetrope, Coppola has launched careers of other directors and writers with independent vision within his own and the subsequent generation. Rather than follow in the well structured footsteps of many of those who preceded him, Coppola’s vision is more that of the “concept of the auteur” where he is a creator of his work rather than one who just films the work. Bibliography lists 3 sources.
Filename: TJFFCop1.rtf

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