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Papers On Music, Film, Television, Theater & Photography
Page 168 of 387

Franco Zeffirelli's 1968 "Romeo & Juliet"
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3 pages in length, this analyzes the cinematography techniques used by director Franco Zeffirelli in his 1968 film version of Shakespeare's "Romeo & Juliet". Discussed are Zeffirelli's use of music, Italian Renaissance architecture, and costuming and the effect these elements had on the impact of the film. Also noted are the facts that Zeffirelli was the first to use a teenage actor and actress in the leading roles and the first to use nudity in a film version of "Romeo & Juliet".
Filename: LCRomeo.doc

Franco Zeffirelli's Film Version Of Hamlet
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This 6 page essay explores the interpretation of Shakespeare in the film Hamlet. A critical scene between Hamlet and his mother is analyzed for content and meaning.
Filename: KTmelham.wps

Francois Truffaut's "The 400 Blows": Purpose And Self-Reflexive Aspects
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10 pages in length. Parisian schoolboy Antoine Doinel cannot figure out why he exists in this life; neither his mother nor father care about him as parents should, his academic lessons leave him empty as though he were in school for no other reason than to be sent away from home and although he is not a bad child, he has been placed within a situation that serves to unjustly chastise him. Francois Truffaut's 1959 production of The 400 Blows seeks to illustrate the manner by which life can be a double-edged sword. Utilizing Antoine as his focal point, Truffaut carefully orchestrates the film to represent the wants and desires of those who are otherwise chained to an oppressive existence. More specifically, the director was seeking to demonstrate just how difficult adolescence is for a young man whose sights are set on bigger and better things. Bibliography lists 8 sources.
Filename: TLCblows.wps

Frank Borzage: Moonrise
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A 12 page paper which examines the life and work of Frank Borzage with an emphasis on his film Moonrise. Bibliography lists 6 sources.
Filename: RAborzag.rtf

Frank Capra’s “Mr. Smith Goes to Washington” (1939)
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A 6 page paper which provides an overview of the director, cast and plot; examines the film’s history to evaluate how it was perceived by the public and the reasons it became famous; considers the themes of “citizen politician” and the role of the press/media in a democratic society; and finally, discusses whether or not the film is a realistic portrayal of the American governmental process and what lessons can be learned from it by contemporary politicians. Bibliography lists 1 source.
Filename: TGsmith.rtf

Frank Sinatra / The Man, The Celebrity
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20 pages in length. The mystique of Frank Sinatra -- his music, his power and his celebrity -- has been addressed in countless books, magazines and documentaries. How he has captured his audience and held them in such a trance for over fifty years is beyond the scope of most entertainers. The writer spans Sinatra's life and times, paying particular attention to the highlights -- and lowlights -- of a career that once petered out only to have revived itself ten-fold. Extensive bibliography included.
Filename: Sinatra.rtf

Frank Zappa’s “Lumpy Gravy” -- An Example of the Collage Aesthetic
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This 7 page report discusses musical composer and rock musician Frank Zappa (1940-1993). Far too often, Zappa’s work has been relegated to an example of the obscure creative energy exemplified in the 1960s. And yet the reality is that Zappa’s work was far more closely aligned to the established traditions of the avant garde in Europe. This report pays particular attention to his first orchestral piece, “Lumpy Gravy” (1968) which was the first project to be released under his name and not the “Mothers” band name. Bibliography lists 4 sources.
Filename: BWzappa.rtf

Frankenstein and Blade Runner
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A 3 page paper which compares similar elements in Mary Shelley’s Frankenstein and the film Blade Runner. Bibliography lists 2 sources.
Filename: RAbdrun.rtf

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