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Papers On Music, Film, Television, Theater & Photography
Page 177 of 387

Gone with the Wind's Cinematography
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A 3 page research paper/essay that discusses the cinematography of Gone With The Wind (1939, directed by Victor Fleming; produced by David O. Selznick for Selznick International and released by Metro-Goldwyn-Mayer), which is one of the most popular and profitable films every made (GWTW, 1995). The film won 9 Academy Awards, which includes Ernest Haller and Ray Rennahan winning for Best (Color) Cinematography. Examination of GWTW in terms of cinematography demonstrates that this accolade was well-deserved, as lighting and camera choices, throughout the film, serve to underscore the narrative's major themes by helping to establish mood and characterization. In this manner, cinematography serves to underscore the central theme of the film, which is the centrality of Tara in Scarlett O'Hara's life. Three scenes are described. Bibliography lists 3 sources.
Filename: khgwtw.rtf

Gongs Throughout the World
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This 2 page paper provides an overview of the gongs throughout the world. This paper relates how gongs were first created and how they spread. Bibliography lists 3 sources.
Filename: MHGong333.rtf

Goodfella/Its Moral Message
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A 4 page essay that discusses the moral message in Martin Scorsese's 1990 film Goodfellas. The film's protagonist, Henry Hill, finds out the allure and honor of the Mafia is a sham and illusionary. Implications are discussed. Bibliography lists 1 source.
Filename: khgfmm2.rtf

Goodfellas/Film Review
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A 3 page film review on director Martin Scorsese's 1990 film Goodfellas (produced by Irwin Winkler; released by Warner Bros.). This film dramatizes the attraction of a life in organized crime, specifically membership in the Mafia. The film is based on the real-life biography of gangster Henry Hill (Ray Liotta), who aspired to mob membership from early childhood. Henry is attracted by the illusion of glamour, of "being" somebody, as his fellow "wiseguys" give him a feeling of belonging to a family. As this suggests, through Henry's outsider perspective (an outsider, in that he is only half Sicilian), Scorsese succeeds at showing how this violent, dangerous lifestyle can also be alluring and seductive. Bibliography lists 1 sources.
Filename: khgdflls.rtf

Goodfellas/Scorsese's Use of Sound
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A 4 page research paper/essay that analyzes the use of sound in this film. Director Martin Scorsese's 1990 film Goodfellas (produced by Irwin Winkler; released by Warner Brothers) focuses on life is like as a member of the Mafia. Based on the real-life biography of gangster Henry Hill (Ray Liotta), the movie chronicles Henry's life and the attraction of a life of crime, the illusion of glamour, of being a "somebody." While numerous cinematic elements combine to make this film compelling, one of the features that adds to the nuance and feel of the narrative is the director's use of sound. Examination of this element demonstrates how various aspects of sound can affect the characterization and substantiate the director's storytelling goals. Bibliography lists 3 sources.
Filename: khgfs.rtf

Gordon Parks - Director
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A 10 page research paper that examines three films directed by Gordon Parks: Shaft, The Learning Tree, and Leadbelly. The writer explores thematic elements in the films that tie these very different movies together. Bibliography lists 6 sources.
Filename: khparks.rtf

Government Regulations And American Cinema
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6 pages in length. Hollywood may be an omnipotent entity that wields tremendous influence throughout a number of industries all across the globe, however, it is also expected to understand its power and temper the way in which it is used. To give American cinema free reign of content and scope would be like letting the proverbial kid take charge of the candy store: any limits subsequently established would fall by the wayside without benefit of some type of governance. Hollywood's intrinsic ability to sway audiences with its ever-engaging essence is akin to a hypnotic trance whereby the power of suggestion is so strong that viewers are wholly unaware of how their perspectives are being manipulated by propagandist "entertainment" and personal agendas. Moreover, Hollywood's moral carelessness has cast stones more than a few times over the last century, causing ear pricking from both inside and outside the industry and ultimate cries for regulations, a rude awakening Hollywood received in July 1934 that would permanently etch a chapter of American cinema still remembered today. But would a self-censoring film industry do as good a job as government-imposed regulations? Bibliography lists 6 sources.
Filename: TLCAmerCine.rtf

Grace in the film, "You Can Count on Me":
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This 5 page paper examines the role of grace in the film, "You Can Count on Me". This paper specifically examines the personal and spiritual journey of Sammy in order to highlight how grace is subtly revealed in her life as a means of prompting her own ability to change and grow. Bibliography lists 3 sources.
Filename: GSCounts.rtf

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