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Papers On Music, Film, Television, Theater & Photography
Page 190 of 387

Hopes and Fears in Society as Seen Through Science Fiction Films
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A 5 page paper which discusses the films “The Day the Earth Stood Still” and “Close Encounters of the Third Kind” as they relate to the hopes and fears of the eras in which they were produced. Bibliography lists 2 additional sources.
Filename: RA3rd.rtf

Horror Films Psycho & Scream Analyzed
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This 8 page research paper examines the changes in the horror film genre from Psycho (1960) to Scream (1996). Specifically explored is the frame composition employed by Alfred Hitchcock for Psycho compared to and contrasted with Wes Craven's approach to Scream. Bibliography lists 6 sources.
Filename: Psyscrem.wps

Horror Movies
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A 10 page research paper that examines horror films as a cinematic genre. The writer discusses the appeal of this screen genre: its pros and cons, and the purposes that it performs in society, as well as its history and a personal perspective on this classic cinematic genre. Bibliography lists 9 sources.
Filename: khhorrfl.rtf

Horton Hears a Who
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A 3 page essay that discusses this film, answering specific questions about thematic meaning and artistic goals. No additional sources cited.
Filename: khhhwho.rtf

Hotel California and California History
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A 3 pages research paper/analysis of the song “Hotel California” by the Eagles and what the song’s images convey about the culture and history of California. Bibliography lists 3 sources.
Filename: khhotcal.rtf

House of Spirits/Book v. Film
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A 4 page essay that contrasts and compares Isabelle Allende's book to the 1993 film adaptation. The House of Spirits was the first novel written by the renowned author Isabel Allende. It became a bestseller, winning Allende international attention and numerous awards. The book is, in a word, exemplary. Critical consensus on the film version (1993, directed by Billy August and released by Miramax) is much more mixed. Comparisons between the book and movie suggest that this is largely due to the enormous breadth and complexity of Allende's novel, which is difficult to successfully dramatize within the limited scope of two hour film. Bibliography lists 2 sources.
Filename: khallbvf.rtf

How “Oedipus Rex” Fulfills Aristotle’s Concepts of Tragedy
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This 4 page paper explains how “Oedipus Rex” fulfills Aristotle’s concepts of tragedy: a hero who endures great suffering; his tragic flaw; the catharsis at the end of the play. Bibliography lists 3 sources.
Filename: HVarsrex.rtf

How ‘The Innocents’, ‘The Wicker Man’ and ‘Death Line’ Stretched the Horror Genre
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This 19 page paper explores the way in which Jack Claytons The Innocents (1961), Robin Hardy’s The Wicker man (1973) and Gary Sherman’s Death Line (1972)have stretched and developed the British horror genre. The paper starts by looking at what is meant by genre and genre theory and defined the horror as a genre. A brief history of British horror films is then given before the content and context of the three films is discussed to assess the way they challenged and changed the way horror films were made. The bibliography cites 11 sources.
Filename: TEhorrorB.rtf

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