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Papers On Music, Film, Television, Theater & Photography
Page 211 of 387
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Kubrick/2001, A Space Odyssey
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A 6 page essay that examines the film 2001: A Space Odyssey (1968) directed by Stanley Kubrick. The writer begins by reviewing the film and then offers genre, auteur, thematic, cultural and theological criticism. Bibliography lists 2 sources.
Filename: kh2001.rtf
Kubrick/The Shining
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A 7 page essay that discusses the 1980 film, The Shining. In this film, director Stanley Kubrick added fresh dimension to the horror film by reinventing many of the conventions of that genre. First of all, Kubrick offers a slow-paced script that builds tension slowly and in subtle, unexpected ways. In many cases, he defies conventions. For example, Kubrick filmed many of his film's most terrifying scenes in bright daylight or scenes that were brightly lit (Dirks). Unforgettable images build tension as the narrative portrays a man's descent into insanity. The psychological disintegration of the protagonist, Jack Torrance, is portrayed via Kubrick's use of camera angles and effects, as well as the cumulative effect of the other cinematic characteristics of the film. While the writer primarily discusses Kubrick's use of the camera, thematic issues are also discussed. Bibliography lists 2 sources.
Filename: khkubshi.rtf
Kurosawa's Throne Of Blood
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This 5 page paper looks at the movie,
Throne of Blood, directed by Akira Kurosawa in terms of the use of the
Noh theatrical tradition within the movie. No additional sources are
listed.
Filename: KTkurotb.wps
Kurtz from “Heart of Darkness” and Gilgamesh :
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A 3 page paper which compares
Kurtz, from the film “Heart of Darkness” based on Conrad’s novel of the same name, and
the ancient character of Gilgamesh. Bibliography lists 1 source.
Filename: RAkurgil.rtf
La Musique Concrete
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A 9 page research paper on Musique Concrete (Concrete Music) -- a genre created using recordings of pre-existing sound material, usually not instrumental nor electronic in origin. Concrete Music was pioneered by Pierre Schaeffer and Pierre Henry in the 1940's and can very well be regarded as the predecessor of modern "noise" music. Bibliography lists 10 sources.
Filename: Musiconc.wps
Labour Relations as Seen in Gosford Park and the Remains of the Day
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This 4 page paper discuss the critique of labour relations at the heart of two films; Gosford Park and Remains of the
Day. The paper also considers difference it makes to have an ensemble rather than an individual in central focus and well as considering if these films nostalgic rather than critical. The bibliography cites 5 sources.
Filename: TEgosfrd.rtf
LANDSCAPE OF THE BODY
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This 5 page paper gives a synopsis of the play by John Guare. Included in the analysis are a review of the play. Also included are an analysis of elements such as theme, symbolism, and a comparison of the main character, Betty, to Hemingway's code heroes. Examples given and cited. Bibliography lists 2 sources.
Filename: MBlitpl.rtf
Lanford Wilson/Rimers of Eldritch
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A 3 page research paper/essay that discusses Lanford Wilson's play Rimers of Eldritch, which, on the surface, concerns a murder and a trial, however, this play encompasses much more than this, as it offers the audience a profile of the social systems and personal relationships that make up this extremely dysfunctional small town. Written in the 1960s, Wilson draws on the social upheaval of that era, but rather than making this play feel dated, it seems quite contemporary as it addresses issues of hypocrisy and self-righteousness in a town in America's Bible Belt. Bibliography lists 3 sources.
Filename: khrimel.rtf
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