term papers and more on Music, Film, Television, Theater & Photography

Select any paper listed below and receive it TODAY
for only $ /page +FREE bibliography!!!

Papers On Music, Film, Television, Theater & Photography
Page 212 of 387

Langston Hughes and Lorraine Hansberry
[ send me this paper ]
A 3 page paper which compares Langston Hughes’ poem “A Dream Deferred” with Lorraine Hansberry’s “A Raisin in the Sun.” No additional sources cited.
Filename: RAdrh.rtf

Language and Identity in Film
[ send me this paper ]
This 5 page paper talks about the issues of language and identity in the films “My Fair Lady” and “Wide Sargasso Sea.” Bibliography lists 2 sources.
Filename: HVMyFair.rtf

Language in Miller and Mamet’s Plays
[ send me this paper ]
A 3 page paper which examines how language is emptied of meaning by the end of the plays Death of a Salesman by Arthur Miller and Glengarry Glen Ross by David Mamet. No additional sources cited.
Filename: RAmami.rtf

Lanza/Elevator Music
[ send me this paper ]
A 5 page book review on Joseph Lanza's history of Muzak and easy listening mood music. Bibliography lists 3 sources.
Filename: khelemus2.rtf

Lars von Trier’s “Dancer in the Dark” and “Breaking the Waves”: Strength, Devotion and the Ideal Portrayed in the “Unlikely” Simple Central Characters
[ send me this paper ]
This is a 5 page paper discussing the central characters in two films of Lars von Trier, “Breaking the Waves” and “Dancer in the Dark”. Two films of Lars von Trier, “Breaking the Waves” and “Dancer in the Dark” tell the story of two women who prove their strength through their devotion to the ones they love. In a strange scenario and a play between reality and the ideal however, von Trier portrays both women as seemingly simple and frail with their strength only being revealed later in their ultimate sacrifices for others. Bess in “Breaking the Waves” originally is portrayed to viewers as perhaps somewhat “mentally touched” as she talks to herself and God. While these may be seen as weak characteristics in reality, Bess portrays the ideal as her devotion to her husband leads to her compromising her own life. Similarly, Selma in “Dancer in the Dark” appears simplistic to viewers in the onset of the film but her dedication to her son and her perseverance to provide for him the savings he will require to save his sight override any concern for her own safety and she too sacrifices her own life for his; both women’s devotion portraying the ultimate ideal in devotion, selflessness and strength. Bibliography lists 4 sources.
Filename: TJLarsV1.rtf

Last Action Hero
[ send me this paper ]
A 6 page paper which examines various uses of visual imagery to depict different realities within the film "Last Action Hero." The movie is analyzed in combination with two works titled "Visual Pleasure and Narrative Cinema" edited by Jessica Munns and Gita Rajan, and "Film Terms and Topics" by Timothy Corrigan. The visual imagery focused on is primarily that of color, lighting, and music. No additional sources cited.
Filename: RAlasthro.wps

Last of the Mohicans/1920 & 1992 Film Adaptations
[ send me this paper ]
A 6 page research paper/essay that examines 2 film adaptations of James Fenimore Cooper's classic novel of early America The Last of the Mohicans. The two most memorable film adaptations to Cooper's text are widely considered to be the silent 1920 film directed by Maurice Tourneur and the 1992 version directed by Michael Mann. An examination of both films shows that the 1992 version is a worthy successor to the glorious cinematography displayed in Tourneur's film. However, an examination of both films also shows that Mann and his script co-writer, Christopher Crowe, made a number of changes that depart from Cooper's narrative. These changes pertain to details that make the earlier film not only more authentic in regards to Cooper's novel, but they also mean that the latter film avoids issues of racial controversial that the earlier film does not hesitate to address. Bibliography lists 6 sources.
Filename: khlofmo.rtf

Last of the Mohicans/1920 & 1992 Film Adaptations
[ send me this paper ]
A 6 page research paper/essay that focuses on two superlative film adaptations of James Fenimore Cooper's classic novel of early America The Last of the Mohicans the silent 1920 film directed by Maurice Tourneur and the 1992 version directed by Michael Mann. In each film, as in the Cooper novel, collision between cultures is a thematic focus. This occurs on several levels, as there is the clash between European settlers and Native Americans, but there is also a cultural disconnect between English soldiers--sent to North America to fight the French and Indian War--and the colonials, who have, in many cases, been here for generations. The take that each director gives to these cultural clashes largely reflects the historical perception and political awareness of their particular era, with the 1992 version offering a more nuanced portrayal of the social factors involved. Bibliography lists 5 sources.
Filename: khlofmo2.rtf

Page 212 of 387
<< more 209 210 211 212 213 214 215 216 217 218 219 220 221 more >>

Didn't find what you're looking for yet? Try a keyword search above or
have a NEW research paper customized on any topic you like!!!

-or-

SELECT ONE OF THE TERM PAPER ASSISTANCE OPTIONS BELOW:

Samples | Testimonials | Best Term Paper Help Links

term papers reports essays research term papers helping college students who are writing papers

Sell Papers & Essays From YOUR Web Site and Earn Money!
CLICK HERE TO BECOME OUR AFFILIATE!