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Papers On Music, Film, Television, Theater & Photography
Page 224 of 387

Marriage in William Wycherley’s Restoration Comedy, The Country Wife
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In six pages this paper examines how seventeenth-century playwright conveyed the theme of marriage in his 1675 Restoration comedy, The Country Wife. There are no additional sources listed in the bibliography.
Filename: TGwychwife.rtf

Martin Luther King Jr. and the Civil Rights Music of the 1960s
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A 5 page paper which examines the work of Martin Luther King Jr. and the Civil Rights music of the 1960s. Bibliography lists 2 sources.
Filename: RAkngmsc.rtf

Martin Scorsese’s “Goodfellas”
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A 6 page paper which provides technical information on Martin Scorsese’s popular and critically successful 1990 film, and considers what impact, if any, it made on society. Bibliography lists 7 sources.
Filename: TGgoodfa.rtf

Marxist analysis of the film Once Were Warriors
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This 4 page paper examines this 1995 film about a family that has unraveled. The protagonist is an alcoholic, but a Marxist analysis sees the cause of the social problems as attributable to socioeconomic factors. No additional sources cited.
Filename: SA433OWW.rtf

Marxist Themes in O Brother Where Art Thou?
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A 4 page essay/research paper that analyzes the Coen Brothers' film O Brother, Where Art Thou? In terms of Marxist ideology. The writer argues that the characters, uniformly, express an overwhelming concern with capitalism, money and in placing themselves within the boundaries of bourgeois society and divorcing themselves from their proletariat roots. By formulating the film's basic premise within this venue, the filmmakers serve to emphasize that the overwhelming reality of the Depression era lay in the conflict between these two classes. Bibliography lists 6 sources.
Filename: khobwat.rtf

Mary Shelley and James Whale's "Frankenstein"
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A 5 page paper which discusses Mary Shelley's original work of "Frankenstein" and the 1931 film production of "Frankenstein" by James Whale. The paper presents a discussion of each and then compares the two. Bibliography lists 2 additional sources.
Filename: RAfranke.wps

Mary Shelley's "Frankenstein" And Ridley Scott's "Blade Runner": Comparative Analysis
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6 pages in length. Popular culture has a distinct way of touching the very nerve of human existence, both good and bad. Writers attempt to reach out to their audiences by way of specific characterization that reflects real-life situations in fantasy settings; as such, the message is put across in an entertaining and meaningful way. Two stories that accomplish this objective extremely well are Mary Shelley's Frankenstein and Ridley Scott's Blade Runner, both of which are experienced within a science fiction setting yet strike a chord with the reality every individual understands. Bibliography lists 1 source.
Filename: TLCFrBld.rtf

Mary Tyler Moore Show & Feminist Theory
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A 6 page research paper/essay that analyzes the Mary Tyler Moore Show, which premiered in 1970, and was one of the "most literate, realistic, and enduring situation comedies" of that decade (Fuller). The leading character on the series, Mary Richards (Mary Tyler Moore), was an idealized single career woman. The writer discusses and analyzes this show in relation to feminist critical theory and concludes that this show's protagonist was, indeed, very feminist and offers still a positive portrayal of professional women. Bibliography lists 4 sources.
Filename: khmtm.rtf

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