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Papers On Music, Film, Television, Theater & Photography
Page 228 of 387

Mel Gibson's The Passion of Christ
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A 5 page essay that analyzes Mel Gibson's film "The Passion of the Christ," which is a depiction of the last twelve hours of the life of Jesus of Nazareth. In presenting this bloody and brutal depiction of Christ's death, Gibson ignores certain cultural truths that have been evident since the time of the Crusades. Jules Isaac, a French historian whose family died in the Holocaust, wrote in his 1964 book The Teaching of Contempt: Christian Roots of Anti-Semitism that it is specifically the demonizing of all Jews, for all time, as guilty of killing Jesus that provides the "lethal core of anti-Semitic ideology" (Brackman, 2004). Examination of Gibson's film shows that, despite his well-publicized objections, this film is anti-Semitic and possibly incendiary in regards to a resurgence of anti-Semitism among Christian movie-goers. In proving this point, this discussion of Gibson's film examines, not only the film content, but also how this content relates to what is definitely known about the period. Bibliography lists 2 sources.
Filename: khmelpas.rtf

Mel Gibson’s “The Passion of Christ” and the Bible
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A 6 page paper which compares and contrasts Mel Gibson’s film “The Passion of Christ” with the Bible. Bibliography lists 5 sources.
Filename: RAmel.rtf

Mel Gibson’s The Passion of the Christ
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A 7 page research paper that describes and analyzes the influences in Mel Gibson’s film The Passion of the Christ. The writer discusses how the film differs from gospel and historical accounts and then focuses on where Gibson obtained information on scenes that differ from the gospel stories of the Christ’s betrayal, arrest and crucifixion. The writer also points out aspects of Hollywood conventions that are in the film. Bibliography lists 3 sources.
Filename: khmgpoc.rtf

Melanie in “The Birds”
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A 7 page paper which examines the character of Melanie in Alfred Hitchcock’s “the Birds.” The paper focuses on her ideology as it relates to that of the director in terms of presenting a successful film. The paper uses Understanding Movies by Louis Giannetti.
Filename: RAbirds.rtf

MELODRAMA IN FILM
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This 5 page paper discusses melodrama in film, the characteristics of the melodrama and how it applies to the film, The Men, directed by Fred Zimmerman in 1950. Bibliography lists 2 sources.
Filename: MBfilmmel.rtf

Melodramatic Conventions and Jane Campion’s Movie “The Piano”
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This 7 page report discusses director Jane Campion’s 1993 movie “The Piano.” Looking at “The Piano” from those supposed “perspectives” of melodrama, it is important to understand that “The Piano” is a movie in which the constraints of the movie, just as the constraints of society, take on a completely different set of rules and parameters than what would be assumed to be the case if the story took place in the “usual” guidelines of “polite society.” And yet, those same guidelines are also bent to suit the use of melodrama in the movie. Bibliography lists 7 sources.
Filename: BWchmpin.wps

Memory & Loss Evoked by Photographic Images in 'La Jetee' (1962)
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A 5 page paper which examines a sequence comprised of still photographs used by Chris Marker to make the 1962 film, 'La Jetee,' and how each evokes ideas of memories and loss to determine in what way each medium is capable of dealing with such concepts. Bibliography lists 6 sources.
Filename: Lajetee.wps

Men in August Wilson’s “Jitney” and “Seven Guitars”
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A 4 page paper which examines how men are depicted in each of these African-American plays. Bibliography lists 6 sources.
Filename: TGawjitsev.rtf

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